Author Annika Perry Chats About Inspiration for Writing

I consider myself lucky to have known Christy Birmingham since my early days on WordPress and have followed her blog ‘When Women Inspire’ with keen interest. As the title suggests, Christy’s aim of her blog is ‘to showcasing the efforts of women around the world to change the world in positive ways’. Wow!! She succeeds brilliantly and her posts are always inspiring, informative and thought-provoking.

Imagine then my delight to be invited to write a guest post about the inspiration behind my book ‘The Storyteller Speaks’! I’d hardly emailed her my enthusiastic yes and thank you before I started to write the post…read on to find out more.

For this time I’ve turned off comments here and look forward to continuing the chat over on Christy’s blog.

Christy B's avatarWhen Women Inspire

Please join me in welcoming author Annika Perry to the blog today. I have known her for years now and always enjoy her uplifting blog posts. Now she has published a collection of poems, short stories, and flash fiction pieces into “The Storyteller Speaks: Powerful Stories to Win Your Heart”!

Upon hearing this news, I immediately asked Annika to come over to chat about the inspiration behind writing this book. She kindly accepted. And, you know what? Her taking the step to publish her writing has helped inspire me to keep going with my own short story collection. What a wonderful boomerang effect! Now, without further ado, here is Annika Perry on being inspired to write.

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THE STORYTELLER SPEAKS – IT’S HERE!

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It is with great pleasure I can now announce that  The Storyteller Speaks is available on Amazon.

The Storyteller Speaks ebook is available on  Amazon UK  or Amazon US or any other Amazon outlet.

The paperback will be published in January 2018.

 About the Book

It only takes one event to change a life. What is that action, decision, occurrence? Whose life is affected? Changed forever?

In this eclectic mix of 21 short stories, flash fiction and poetry the pendulum swings between first love and murder, from soul-destroying grief to reconciliation. The tales veer from the sweet satisfaction of revenge to new beginnings, from heart-breaking miscarriages of justice to heart-warming Christmas misadventure.

One common thread binds them all; the belief that there is no such thing as an ordinary life; they’re all extraordinary.

Open your hearts and minds as The Storyteller Speaks.

The Enigmatic Blurb

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Why is it that even the mention of writing a blurb strikes abject terror into the normally calm and sane writer?

The task of describing and summarising a whole book, months or years of work, into a few short paragraphs seems nigh impossible. In the process the blurb has to be unique, capture the reader’s attention, excite them and tempt them to read on, ultimately to buy the book. The blurb and obviously the cover are often the first and only sales pitches for the book. The undertaking ahead feels hopeless.

Fear and dread of the blurb were my immediate reactions once I’d committed to publishing my anthology…I knew I needed one, yet every time the thought surfaced I erased it from my mind and dove even further into editing! As ever I needed a deadline and one evening I cleared my schedule for the following day, ensured I would not be disturbed and made a promise to myself to complete the blurb within 24 hours!

Early the next morning I entered my study and was confronted by my desk…the aforementioned one from my Frazzled! post. I could not work here. First I had to clean my desk – literally!

Over the past couple of months my working space had become chaotic with piles of paper and books balanced precariously and riotously on top of one another. There wasn’t even space for an A4 notebook. My solution was to move everything into the spare bedroom and once the desktop was polished I faced the gleaming wooden surface. Perfect! With reverential care I placed a notebook, pen and pencil on the desk, followed by my notes for my blurb as well as the print-out of how to write a blurb.

Yes, I lied a little…for weeks I’d been researching blurbs.

A blurb is tricky under normal circumstances and even more complex for a short story collection, I feel. First of all, I studied blurbs from other short story anthologies and I tried to pinpoint what drew me to them and what elements jarred – making notes all the time.

Next, I read ‘How to Write a Blurb’ articles online. One particular website provided fantastic information and I’d highly recommend The Author Society’s  ’17 Tips on How To Write a Blurb That Sells’.  Some tips were redundant for my anthology as the article was geared for novels. However, here are some points I found particularly useful and relevant:

  • The best length for a blurb is between 100 – 150 words. I would also like to add that it’s important to leave good line spacing for ease of reading.
  • Treat your first sentence like a pick-up line. It should entice them to read on and needs to be clever, engaging and new.
  • Use a cliffhanger. The reader needs to leave curious and hungry for more.
  • Use words that cater for your audience. They should evoke atmosphere and meet the readers expectations of the genre.
  • Use short sentences as buyers usually skim through the text.
  • Use hyperbole as these are powerful tools to spark curiosity.
  • Stay true to your voice. This piece of advice remained with me as I wrote my blurb. I felt it was vital to retain my voice which runs through the stories to be part of the blurb.
  • Use fresh eyes. Let it rest, print out and read in different formats such as phone, paper, computer.
  • Rewrite it many times.

With these notes to hand I started to scribble down ideas as I skimmed through my stories again; however there were two major stumbling blocks.

How could I include two of the most important elements of a blurb into mine; namely giving readers a setting and introducing the main characters? With so many different locations and characters; what could I do? In the end, I decided to give a flavour of some settings and some characters. With my short stories in front of me, I scanned back and forth, jotting down compelling and memorable characters, places, themes and feelings.

Gradually nuggets of a plan appeared, gems of ideas developed, but my initial blurb idea was still too vague. All the time I imagined a future customer, standing in a shop, quickly glancing at the back cover. How could I entrap them with my words, coax them to stay and read on and finally seduce them to buy a copy?

I rewrote the blurb time and again; examining every word and taking breaks as I paced around my study, reading aloud to myself, standing over my words, studying them, amending, rereading my notes.

Gradually an overall theme emerged and with this core central stabilising factor to the beginning, middle and concluding paragraphs I created my final blurb. One hundred words exactly!

The final blurb will be revealed soon! I have been promised the book cover this week and hope to post both together.

“A short story must have a single mood and every sentence must build towards it.” Edgar Allan Poe

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FRAZZLED!

My Desk

It’s never taken me so long to send an email before. 

I’m not referring to writing the message; its composition came easily enough. The actual act of pressing ‘send’ seemed impossible. My cursor hovered over the paper airplane icon; pausing I sat back and scanned the document once more. I stood up and paced around the room.

The momentous moment had arrived and my first manuscript was just a click away from the publisher. I was savouring the experience while being equally terrified of the reality. Many bloggers have used the analogy of giving birth with reference to writing a book; I can identify with this emotion to a certain extent…sending away my first book to an outsider felt like I was releasing my baby into the wider world. With another few tours of the room, I returned to my seat and pressed the button. No turning back!

After weeks of intense editing on my anthology of short stories my head seemed to burn with heat and a flu-like fever of concentration reverberated around my mind whilst the rest of my body struggled against the cold. A day or two of complete relaxation was in order to restore the equilibrium.

The editing process had been unexpectedly and contradictorily tougher and easier than anticipated. 

Hour after hour of close computer and document work took its toll on my eyes and head resulting in migraine-style headaches.

However, several useful editing tools were a fantastic help in bringing my manuscript to completion.

Grammarly, a proof-reading program recommended by Jacqui Murray at Worddreams (thank you, Jacqui!), was a most invaluable editing aid. After initially reading through each story a few times, amending the plot etc where needed, correcting typos and punctuation I then used Grammarly to check for any missed errors. Surprisingly it picked up quite a few; these included spacing gaps between words, spellings and punctuation. I did have to be cautious with my changes though as the spellings were corrected to American style and it had a predilection for commas which I disagree with – see what my editor says! 

Natural Reader  proved another excellent editing tool. Once again Jacqui recommended this on her blog and I was initially sceptical but decided to trust her positive experience with it. Despite the mechanical unemotional aura to the voice (although there are various choices) it made a huge impact having each story read aloud to me. Although I’d been reading some out to myself, listening actively to each word through Natural Reader allowed me to pick up on silly mistakes including one where I had put the wrong name for a situation in a story. Yikes!

As well as a dictionary by one’s side (or the website permanently on display) it is essential for writers to consider Thesaurus as one’s best friend. My original paperback copy from childhood is gradually falling apart so I now use its services online, consulting, searching for words to improve and sharpen my writing and this was even truer during these last editing weeks. 

Finally, never underestimate the value and effectiveness of good old-fashion pen and paper – or in my case pencils! With a few sharpened pencils in my arsenal, I printed out the stories when I thought they were ready and took them downstairs where I’d commandeered the dining room table (my desk by this time was overflowing with papers!). Here the final editing took place and with the change of room, my creative spirit was rejuvenated and the final changes were made. Some of these were minor, a word or two; in other cases, a whole paragraph was rewritten and paragraph spacing was slightly adjusted in the more complex ones. Furthermore, I was inspired to change the title of two stories. 

The stories for my anthology were now ready to be sent away to my editor; however, there were several more important elements to the book to complete before the full manuscript was whole. In my next post, I will describe how I tackled the all-important blurb, tag-line and about the author page. 

Thank you very much for following my exciting journey to publication of this anthology of short stories.The book is due out beginning December and I will reveal the book title and cover soon.

“I love short stories because I believe they are the way we live. They are what our friends tell us, in their pain and joy, their passion and rage, their yearning and their cry against injustice.” Andre Dubus

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CHIPPING AWAY!

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Editing is a strange process.

I’m finding the task both hugely satisfying and exhausting. Like a skilled artist, I imagine myself adding those final touches to a painting that will lift my work. As I carve away at my stories I’m falling for the characters all over again, getting to know them intimately, their stories engraved on my mind. Even when not at the computer, chipping and adding away, my thoughts are constantly with my creations…I want to honour them by presenting them in the best way possible.

My distracted state has not gone unnoticed at home. Returning from school one day my son cautiously asked why a breakfast bowl was on the laundry basket in the bathroom. A very good question and I had no sensible answer – no doubt a new edit idea struck me between rooms. I’ve warned him to expect a lot of these unusual distractions as I battle against my perfectionist nature and concentrate singlemindedly to complete my first book.

With a selection of my short stories with a professional editor, with discussions underway for a book cover, I have been reassured that completion before Christmas is possible.

Yikes! On hearing this deadline my stomach flip-flopped with excited elation (and terror!) whilst my mind nearly overloaded as I careered through everything that needs to be done. Then, ever the Virgo, organisation took charge and with a new notebook in hand, I made lists, lots of them. These I’m slowly ticking off…

Whilst editing I have noticed my predisposition for certain words which I’ve harshly erased; even as I berate myself for my persistent use of these lame and weak phrases, I’m pleased to learn more about my writing, how to improve it with immediate effect.

Who are the culprits? Stand up words, wave goodbye and bow out!

* Also   *Now    *Then     *At last     *Just

*After all    *Of course    *Finally

Finally (noooo!!) one chap’s name appeared in three different stories…sorry, there’s only need for one George!

‘My short stories are like soft shadows I have set out in the world, faint footprints I have left. I remember exactly where I set down each and everyone one of them, and how I felt when I did. Short stories are like guideposts to my heart…’  Haruki Murakami

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A GREEN CAGE

Bad Prison Cell Alcatraz

I pace the floor. Not for the first time. One, two, three, four and a half. The metal green door is cold to my touch. My head swivels round and captures the photo on the wall. Holding its gaze I walk methodically back. One, two, three, four and a half. The edges of the photo are frayed and its colours dulled; the past ten years have not only taken their toll on me. The photo was taken with my camera, one that used actual film. I hear those don’t exist anymore. Everything is digital they say.

Joe’s tiny face smiles back at me. He was only six months at the time and how he loved bouncing in that blue baby rocker. His red romper suit covered in white yogurt after he’d knocked my hand feeding. We’d laughed so.

Those days all my photos were of Joe. Joe smiling, sleeping, playing with his cuddly lion, eating, swimming, on holiday at Centreparcs. We were inseparable. Until his death. Three months later.

“Turner! Turner!”

The prison officer fills the door, her hair pulled tight into a functional bun, the khaki-coloured uniform bulging at her waist and arms. Hard to believe that had been me; squeezing into clothes. Now a size 10 hangs like a sack on my tall frame.

“Turner!”

Standing still, I gaze ahead. Carol, that’s my name. They took that from me in here; my self. Sometimes I repeat it to myself, just to make sure I don’t forget. “Carol. Carol.”  Daughter, wife, mother. Then child-murderer. Or so they claimed.

“The warden wants to see you. Now!”

I nod curtly and glance at the space above my table. The light green cement wall is covered with study notes, magazine photos and a calendar. A big red circle pulsates around tomorrow, marking my appeal hearing. My final hope.

The daily clamour of prison life continues around me unabated. After the silence all those years ago the constant barrage of noise is a balm for me. The silence of Joe and the day he stopped breathing.

The relentless rain had whipped around the car on the journey home from the nursery that day. Joe had cried non-stop. This in itself was unusual as was the pitch of his scream; twenty minutes of fractured tortured crying. Not that of hunger or exhaustion. Slowly it dwindled to a whimper and I hate myself even now for being relieved at the peace.

I stopped by the front door and rushed Joe, who was in his car seat, inside along with the shopping, before driving to park around the corner. On entering the house his stillness struck me immediately. Then I spotted his lips, tinged light blue. Panicked, I released the seat belt, opened his jacket and held him. I tried to get him to breathe. Those minutes turned into a lifetime. I must have called an ambulance. They took him away, lights flashing and sirens blasting. I sat in the corner of the ambulance, helpless. Watching the paramedics fighting to save my son’s life. In vain.

The hail had hammered upon my face as the police arrested me soon after Joe’s death. I wasn’t even allowed to see him again. Nor was I permitted to attend his funeral.

At least Liam had been able to go. Liam, Joe’s father, my husband, who knew me better than anyone. We’d been close friends since our teens and he always trusted me, when many doubted. Many times since we’d sat across the visitor table, surreptitiously clasping each other’s hands for comfort.

“It will sort, love,” he’d promised. With his dark hair straggling across his face he insisted, “It’s all a big mistake”. He’d been right, only we never guessed it would take ten years to prove it.

Salt, such a small innocuous condiment. The police and doctors said I had been feeding Joe teaspoons of this over time to kill him. My beloved Joe. My incredulity at the accusation turned to total disbelief, then resignation as expert after expert testified to the high sodium levels in Joe. The only possible reason given for its presence was poisoning.

I could never have harmed him but nobody listened. He’d been tired, lethargic even. Joe’s low weight had always concerned me. I’d asked for help but was told not to worry.

My raw anger and desperation at the trial hadn’t helped. I realise that now. Neither had my appearance with unruly frizzy hair which had long since been tamed into a short smart bob. Exercise, an anathema to me previously, became my new religion and I trained at the prison gym like a fanatic. Its bright green walls especially gaudy under the fluorescent lighting.

Once my body was in shape, I turned to my mind. Unused since school where I gained a couple of qualifications, I studied like one possessed and only last year achieved a degree in law. I’d almost laughed as I held the certificate. A degree! Me?! A care home child, no known parents and already convictions for petty theft. I’d had no chance at the trial. No chance afterward either. Until five years ago and the death of a baby girl. Then two more babies. All from salt poisoning.

“Expect the best, prepare for the worst.”

The warden’s words reverberated in my head.

The worst had already happened. Couldn’t he see that? I knew what he meant though, losing the appeal, being trapped a lifetime within the green cage.

For the best I reread Liam’s letter, which I’d received the day before. He’d prepared the house for my possible home-coming and redecorated Joe’s nursery as a study for me. I swear I could smell the fragrances from the flowers in the garden through his description and closing my eyes I glimpsed the bright sunflowers against the back wall.

“I found him in Joe’s nursery at the weekend,” Liam’s mum said to me on a visit early on. “Asleep on the fur rug, clutching Joe’s clothes, teddies strewn around him. The charity bag lay empty in the corner of the room.”

I’d covered my eyes.

“Carol, dear. Liam can’t sort it all out. Shall I help?”

Her offer was the first of many that Liam and I came to rely upon. Now she too was gone and we only had each other.

The warden gave me a box and with trepidation I began to pack. Law books, spiritual books even, such as my well-thumbed copy of “Stillness Speaks”.  I would never have believed it. Then reams upon reams of notes and finally the file of newspaper cuttings.

On top was the story of the two now discredited expert witnesses who had testified against me. Their omission to mention a possible medical cause for the sodium poisoning had sentenced not only me but also three other women to jail for child murder.

Finally I placed the photo album Liam had made for me into the box. Its blue spine long since broken and the silver heart frame on the front no longer shone. I opened it carefully.

There we were on our wedding at the local registry office, then at the pub meal afterward. So simple but perfect.

There I was pregnant, looking blooming and blooming huge as well. For that big bump Joe was born tiny, a light bundle with black hair streaked across his head.

Then the last photo ever taken of Joe.

Liam gently bouncing him on his knee, Joe’s face half-hidden behind the hood of the yellow giraffe dressing gown, his hands tucked inside the long sleeves, Joe’s sweet giggles audible from the photo.

In shock I dropped the album and started shaking.

Not for the first time, I cried; sobbed until my body heaved with grief. Angry clanging on the doors followed as my cacophony of tears refused to be silenced. Before long darkness enveloped the cell and by the light of a torch the green forest of night closed around me.

“You’re free to go,” my lawyer said the next day in court. “You’re free.”

The appeal had passed in a blur, too shaken, too frightened of the outcome to absorb much detail.

“Free?” I questioned and looked around for permission to leave.

“Carol!” Liam was suddenly in front of me and unrestricted we moved towards each other. Then stopped. An invisible barrier. Liam took the final strides towards me and he reached out and pulled me in. Saving me. I rocked back and forth in his arms before we headed out into the blinding sunshine. To face the press together.

Two hours later I was home. The butterflies fluttered erratically around the flowering buddleia; more calmly the bees buzzed over the red roses. Our garden was a firework display of colours. Golds, reds, pinks, purples. I gingerly stepped over the petunias which had spread over the path, wanting to preserve their beauty.

Inside, the house gleamed and his mother’s redecoration years earlier was evident in the modern minimalist style. So tidy. No toys on the floor, stairs, furniture.

Liam took my arm and gently guided me towards Joe’s nursery. Apprehensively I opened the door.

It was stunning. The sun beamed upon the large pine desk in front the window and light dazzled me, reflecting from the crystal framed mirror. A bookcase stood empty. In the corner was a white armchair and Joe’s cuddly lion rested on the soft seat. The whole room teemed with sweet peas, the multicolours a feast for the eyes as I spotted them on the desk, windowsill and coffee table. Their scent a crashing reminder of that first and only spring with Joe.

“”I love it, Liam. It’s just perfect. Thank you,” I whispered quietly in awe.

“The colour?” he questioned cautiously. “Do you like it?”

I hadn’t spotted the light green walls at first, now I moaned to myself.

“They say green is calming and restful. Creates harmony,” Liam reassured me. “I thought it would help you settle back home.”

“That’s kind of you. Very thoughtful,” I replied. However, deep inside my emotions swirled. Liam meant so well.

I still didn’t think it was the right colour.

The End

©Annika Perry

LASTING SANCTUARY

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Back and forth. The chair rocked gently, back and forth. Years, decades even, I’ve sat here on and off, rocking calmly, the squeak a welcome friend, the worn wood of the arms soft to my caress. Even as a child I sought solace here and closing my eyes, I drifted into a restful doze….

’Williams! Stop that rocking! I swear, I can see grooves on the oak floor. Williams!’

I’d only sneaked in ten minutes earlier and made straight for the rocking chair in its usual gloomy nook beneath religion and travel, navigating my way by memory with my spectacles grasped uselessly in my hands. Those bloody glasses! Bad enough they fogged up a hundred times a day, even worse they were NHS ones.

‘Caught any fish today, Snorkel face!’  That was the kindest thing anyone ever said to me at school. Even my name was a shout and a demanding, irritated one at that.

At last, the glasses cleared and my gasp of awe puffed audibly across the room. A gentleman in the opposite corner tutted disapprovingly, glared at me before returning his eyes to the book in his hands.  ‘Perfume’ if I wasn’t mistaken and one I could recommend to him. Books galore! My usual heavenly delight. The afternoon light shimmered through the windows, the dust danced around the bookshelves, the words within a promise of new worlds, of escape.

The coins in my blazer pocket clinked against each other as I reached for them. Two pounds altogether and well worth saving my 50p weekly pocket.  Who needed sweets anyway? For me it was all about the books. With a push the chair lurched forwards, depositing me on my feet with a satisfying creak and groan. I edged left around historical fiction, turned right at thrillers then stopped by biographies. 

‘What do you want to read them for?’ Dad always asked. Not waiting for an answer he’d reach for a beer from the fridge, his head lost within the cold vault as the muffled one-way conversation continued.

‘You should be out playing football with your mates. Out do you, hear? None of this bookshop rubbish.’

Why did he never realise that the bookshop was my haven, the dark wooden shelves my sanctuary, the books my guardian?

‘Mr Williams! Thank goodness, you’re awake. There was another complaint about that chair yesterday.’ I continued to rock, groggily, trapped in time, my Ralph Lauren glasses on the wonk. I straightened them slowly. ‘It will kill someone, one day, Mr Williams. That young lad, Joe, the one you always tolerate, who’s constantly here, was thrown off the chair yesterday when its arm broke right off. Yes, that one. I fixed it but it nearly killed him. Fell onto the floor, he did and banged his head. Nearly killed him!’

The laughter within me built up gradually, begrudgingly, relentlessly. 

‘Mr Williams, as the owner you’re responsible…’

‘For keeping things just as I want them! As I’ve done for over thirty years. Don’t change a thing! Now, where’s my laptop…’ Still chuckling I nudged it awake and started to tap on the screen whilst inhaling the muggy scent of books with satisfaction.

 A chair that takes people’s fate in its own hands is a story waiting to be published! And added to my bookshelves.

©Annika Perry, 2017

This piece was written in response to a prompt issued by my creative writing group – the options were eclectic and consisted of Lemon Tree Grove, Book Shops or Graveyard. I was tempted to write a short story including all three elements but fear this would become far too long for the group!

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Images courtesy of pixabay

THE GAME

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The Game

maltesers-wrapper-smallImogen popped one more Malteser in her mouth, cracking the honeycomb between her teeth. One of her front teeth wobbled precariously before slotting back into place.

‘I can pull that for you,’ said Layla, rubbing her fingers in anticipation. ‘Look,’ she continued, pointing to a gap, ‘I yanked this out last week. You should have seen the blood – everywhere it was.’

‘No, leave it,’ replied Imogen, edging backwards. ‘Let’s leave this too. The game is stupid. It’s for kids.’

‘God, Imogen, you’re such a loser. Just say the spell, then the word and that’s it. What’s written on these pieces of paper will appear. I promise.’

‘As if.’

‘Well, it worked with the Maltesers, didn’t it?’ retorted Layla.

‘Very funny. I heard the rustling as you pulled them out of your pocket,’ said Imogen.

‘Didn’t.’ 

‘Did.’

Layla scrambled off the rough floorboards.

‘Well, I’m off then,’ she said, pocketing the scraps of folded paper which rested in the chipped bowl. One of Mum’s favourites but she wouldn’t notice it gone. Since her new boyfriend, she never noticed anything.The television was permanently on as was the tablet on Mum’s lap. Being ignored wasn’t the worst, it was their yelling that did her head in. This was her retreat; her Dad’s old shed. It felt safe amongst the cobwebs and spades. Breathing in the musty damp air, Layla reached for the latch.

‘Wait,’ said Imogen. ‘Okay, I’ll do it.’

Layla tipped the papers back into the bowl.

‘But,’ she added, ‘we don’t have to say the spell aloud. We’ll just think it. Right?’

Biting her nails, Layla was silent for a moment.

‘That should work, but you have to say the word aloud.’

Imogen took a paper and unfolded it and frowning she closed her eyes. Real tight, with the balls of her hands rubbing against her eyelids, the paper dangling between her fingers. She muttered and then shouted out.

‘MUD!’

mud2Layla rolled back in shock, knocking against the tool table which sent a trowel flying into the air, the slimy sloppy brown mud on it trailing messily on the floor and landing by her side.

‘Where did that come from?’ exclaimed Imogen, gaping at the mud and the trowel partially buried in it.

‘Yeah, it really does work!’ laughed Layla, ignoring her friend and grabbing a paper. She mumbled the spell quickly, then whispered, ‘mask’. The girls glanced around expectantly, then frantically. Nothing. With sighs of disappointment, they took a paper each and nonchalantly went through the motions with the two remaining words.

‘Midnight,’ said Imogen.

Sunlight shimmered through the grimy perspex window. More like midday, thought Imogen.

‘Murder,’ droned Layla.

‘I could murder this game,’ said Imogen, as she stood to leave. ‘Like I said, bloody stupid.’ The door clattered shut behind her, rattling the tiny hinges. Within seconds it flew open again and Imogen loomed over her, clutching a black wooden mask.

‘Look! This was on the tree. Just hanging there. I can’t believe it. I’m taking this home.’

african-mask-ebony-woodLayla followed Imogen down the path to the house, shaking her head in wonder. How did her mother’s mask from Gambia end up outside?

Heading inside, Layla snatched some biscuits and crisps from the cupboard before going up to her room, slamming her door to the fighting downstairs.

‘Layla! Layla! Get help!’ screamed her mother.

imagemidnightLayla woke with a start and reached for her phone. 00.00. Midnight. Scrambling out of bed she ran to the door when she suddenly heard an ear-piercing screech. Her mother. Then silence followed by a cough becoming louder and she edged away from the door as the footsteps came closer. Stumbling, she reached the wardrobe and lunged inside, tapping at her phone screen.

‘Police! Help! My mother’s been murdered!’

The End

© Annika Perry

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DREAM HOUSE

I am happy to hand over today’s post to my very good friend Mirja aka delphini510 and her unusual take on property selling. Hope you will enjoy it.

***

Reading many estate agents’ formal and stilted descriptions of properties for sale, I was overtaken by a wicked impulse.

So here is my quirky approach to a sales “blurb”.

Dream House

Is your dream of a house, a place

where in the morning you can step out;

hear birdsong whilst see them feed.

Surrounded by honeysuckle, clematis,

mighty trees.

***

To sit on a bench tucked in between,

have colourful butterflies visit

along with dragonflies.

Filling your senses with peace

before the day begins.

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***

If this sounds right for you, please do step in;

Coffee is brewing, you can share with me.

I will show you around,

***

let your feet connect with mighty oak,

sawn and smoothed.

Did you notice the windows

facing the rising sun?

Showing off flowers and shrubs.

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***

You now face two wings,

one leading left, one right.

Four bedrooms to the left;

yes, they are big,

Did you notice the bathroom had jacuzzi too?

***

Back we traipse, turn to the right,

then right again. Quirky? I know, that’s what I like.

Through the sunny breakfast room to kitchen,

also lit by the sun

showing off the porcelain tiled floor.

***

By the way, did you notice the brownies?

I baked them myself.

Please help yourself

Back again and there is the lounge

with plenty of books and yes, T.V.

Please do roam around.

***

Next, two steps to the dining room

Looking out over a wooden deck,

steps leading to the lawn.

***

Now my favourite, the Garden Room

always so bright,

views of the garden wrapping itself around,

The house nestling in its heart.

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***

Come with me to the secret garden

hidden on the side;

with berries of all kind.

The grape vine is enough for some wine

or just eating as they are.

A little patio with seating to just enjoy.

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***

Price:  Oh, better start saving pennies and pounds.

          Meanwhile I have enjoyed having you around. 

          By Mirja

 

The Cost of Competitions

writer

To pay or not to pay?

Have you ever paid to enter writing competitions; either for short stories, poetry or even submitting a novel? Or perhaps you’d never contemplate having to pay for competitions? 

The topic of writing competitions came up at our last meeting of the local writing group and I was surprised at the varying opinions.

A couple of people seemed genuinely surprised that most competitions charged and that these were successful – I then had to admit to entering some myself with one win, a shortlist and a couple of long-list to my name. 

oldieimageAt first I was overjoyed to have my work professionally validated and deemed worthy to be read in print and it was the confident booster I so desperately needed. The deadlines, themes etc was a great incentive to sit down and write, producing a story in a day or two – then a few more days to re-write and edit. However, as I entered more and more competitions I quickly became disillusioned. Not only was it expensive but entering the competitions was eating into my novel time. Instead I took a break from them and concentrated on writing the first draft of my book; the thought of competitions filed away in the depths of my brain. Until the discussion. Until the latest issue of Writing Magazine (a top-selling magazine in UK aimed for all level of writers in all genres). Once again many competitions tempted me, my creative desire to write short stories rejuvenated. 

However, are paid writing competitions a scam as sometimes is implied? 

Starting out, my initial reaction was the same as some of my writing group members who were shocked you had to pay for them. However, at the same time I appreciate there is a cost to running them, the administration alone for example. Also the judges take considerable time and work to read through the entries. In the process though some competitions have become prohibitively expensive as they fight for prestigious writers to join their panels.  Free competitions can be great, particularly if you have researched them well although I think paid ones are here to stay.

competition

If you are interested in entering competitions, whether free or fee-paying, I quickly learnt there are several important issues to consider.

  • First of all, check out who runs the competition? Is it reputable? Will your work be published in print / online?
  • What is the prize? Sometimes just recognition and being in print is enough, just be aware of this in the first instant. Another point to consider is that if it is a famous prestigious competition, such as the  internationally famous Rubery Book Award or the BBC Short Story Award, it will attract thousands of entries from across the globe and your work will have less chance to make an impact. 
  • Is there a particular topic/theme to the competition? It is important to submit work targeted to the particular competition and not be tempted to recycle old entries that nearly but don’t quite match the prerequisites.
  • There are some excellent free competitions, the Writers & Artists Yearbook Short Story Competition is one example and well worth entering and this year for the first time there is no specific theme. However other free competitions seem more set on getting your personal details for promotion. Just be aware.
  • Take the time to look up the judges. This can be more helpful than initially imagined. What type of books / poetry / stories have they written or promoted? What can you learn about them from their social media exposure? Perhaps your style and content is not something that would interest them and your entry would be better placed elsewhere. 
  • Do check out the previous winners. This piece of research can pay dividends in the long run and its importance cannot be emphasised enough. Early on I made this mistake and only too late, after submission, read some previous winners and realised that my story had no chance of winning. Very frustrating and I chastised myself for this lapse. Also if hoping to win a magazine competition read not only the previous month’s winner but also a few back issues to help establish a feel of the target audience.  
  • Reading the T & Cs (many times and preferably underlining!) is vital.  Always make sure to follow the rules of the competition – this is not a moment to rush ahead without reading the small detail. How should the submission be made? Post? Electronically? If the latter, in what format? In an attachment or part of an email? What are the font / spacing etc rules. What is the word count – and stick to it! The number of words, means just that! Unfortunately an entry can lose out for this reason alone and I know of one such case. Also send the correct money, in time! Also make sure you take note of any restrictions – for example there may be an age band or locality to consider. Finally be aware of the deadline. This is in itself an excellent incentive to complete your work for but do make sure the submission is in at least a few days ahead. Posting on the deadline date is not accepted by most competition rules. 
  • It is a good idea to consider how relevant is the prize for you? Financial reward is always welcome no doubt! Specific prizes such as a free book cover design will only be attractive to those with a book ready. Writing course prizes, such as a week on the prestigious Avron Writing course offered by the Bridport Prize, are also popular but again not ideal for everyone.

Hopefully by following these points you can save both money and time by ensuring your entry will be considered by the judges. 

oxoLately, some competitions have expanded their remit from pure competitions to helping others, whether locally or abroad. For example the Magic Oxygen Literary Prize  promises to plant a tree for every entry. The trees are planted in Bore, Kenya. Furthermore the competition money will help fund an extra classroom at a school nearby. Personally I cannot help be moved by their efforts but at the same time wonder if it is a bit of a gimmick, a con? 

Novel writing competitions are some of the most expensive ones on the market, often starting at £20. The Rubery Book Award costs £36 to enter with a prize of £1,500. Is this too much or is the possibility of a break into the publishing world worth the cost? Some offer feedback for an extra outlay. Is this worth it?  

Recently I have noticed an increase of competitions on blog sites and whilst initially sceptical I have followed some and seen their success. The writing is of a superb quality, the winners receive public recognition as they are published on the blog and shared further and the entry fees are far lower than anywhere else but still retain the incentive of a cash reward. As the number of entries are considerably lower than national competitions ones the chance of a win is exponentially improved. 

puppetWhat are your experiences with writing competitions? Have you entered any? Many? Paid ones or only those for free? Are you perhaps running a competition on your blog? Could you share your experiences? Have you ever been asked to be a judge for writing experiences? What was this like? 

I would love to hear from you and hope a lively discussion will ensue.

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Finally, in addition to the competitions already mentioned the following are just some of the many which have caught my eye and these should give you a feel of the range, expense and prizes out there.

  • Cinnamon Press runs competitions for Poetry & Short Stories.
  • The Telegraph newspaper runs a monthly ‘Just Back’ Travel writing Competition.
  • An audio transmission of the winning story is promised in this free and unusual competition run by soundwork
  • The Rialto is running a pamphlet competition. 
  • The London Magazine offers a prize  consisting of a number of pounds sterling equal to the current year (£2016 for year 2016)for the best Short Story submission. 
  • mslexia magazine, one of my favourite writing magazines, runs four competitions, open to women writers of all levels of experience from prose, Short Story, Novel and Poetry. Winners have gone on to secure publishing deals and literary agents.
  • Inktears Short Story / Flash Fiction competition.

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