LOST // FOUND

sunset-2334074_1280

The air crackled with a chill that September afternoon, the first trace of damp etched into the atmosphere. 

Emma saw her first, then the rest of the children turned towards the woods at the edge of the park. Like an apparition, the woman stumbled out from amongst the trees and undergrowth resplendent in her cerise woollen coat.  A coat peppered with a menagerie of coloured notes, all pinned on at angles. 

Her mutterings at first were only audible to the sparrows in the trees, to the skittish robin, to the strident magpies marching across the tired grass. The ground was churned up by football boots, dried into uneven lumps of decay. 

‘Where is it, where is it?’ she mumbled gruffly. Erratically the woman spun around, her eyes cast down eagerly on the ground, with a keenness of a child looking out for Father Christmas. Her eyes bristled with expectation, joy then with a sudden turn, angry filthy swear words spewed across the park. 

Appalled Emma careered backwards, right into her friends and the cascade of children toppled like dominos, silent in shock. Righting themselves, the disheveled group at first failed to notice the approach of the woman; concern engraved on her face, bewilderment fluttering in her eyes. 

‘Have you seen it? My child?’

Agog, they barely listened, their attention held fast on the woman’s coat and the pinned notes.

I’m sorry. Appeared many times. I’m lost. Please help. My name is Emma. 

‘Please help me,’ she said. ‘I must find it.’

The children fanned out across the park, not sure what they were searching for, occasionally shouting out a find to Emma the older. Emma their friend remained with her namesake. Ahead of them a note tossed like an autumn leaf across the terrain, swirling in the strengthening breeze.

‘Stop it!’ shouted the woman. ‘There it is!’

Emma dashed over, picked up the dusty note, glancing at the elegant handwriting. 

Mum, you’re lost. Not I. Come home. Address is on the back. Love, Mark xx

Emma the child handed over the piece of paper. 

‘Mark! I found Mark!’ The woman’s primeval screech of elation echoed into the billowing dusk; a joy swallowed by her very next words, tiny as pinpricks, thin as slivers of silk.

‘Who am I?’

© Annika Perry, May 2018

The above piece of writing was inspired by a prompt from my writing group for our work to be ‘set in a park, in any period, in any location with any number of people involved, you or your character/s have lost or found something.’ Owing to burgeoning numbers of keen writers in the group our homework is now restricted in length.

THE 3 DAY QUOTE CHALLENGE #3

IMG_1822

Welcome to the final day of my 3 Day Quote Challenge which I’m thrilled to take part in following the kind nomination by Laura at laurabrunolilly.com .

To the challenge…The rules are as follows:

  • Thank the person who nominated you.
  • Post a quote on 3 consecutive days.
  • Share why this quote appeals so much to you.
  • Nominate 3 different bloggers for each day

As a writer, I wanted to finish this challenge with a quotation about the craft. The elegant and eloquent truth of the following quote struck me like an epiphany when I came across it a couple of years ago and I am sure it will resonate with most poets and writers. Having read her words I instantly noted it down in my journal and it is one I often come back.

Screen Shot 2018-04-27 at 15.24.02

img_2650The writer of the quotation is fellow writer and blogger Adrienne Rich who blogs at middlemaybooks.com. Adrienne is a writer of historical family sagas about the Weldon and Crenshaw families of Gilded Age Englewood, New Jersey and she ‘first fell in love with family sagas watching family drama at the many funerals’ of her youth. Her blog is  ‘to celebrate who we all are, past and present, flawed and sublime.’

My 3 nominees for day # of this challenge are:

 

WRITE FROM YOUR HEART!

Wow! I felt like a movie star as I left the school, a large bouquet of flowers nestled in the crook of my arm. My mind was spinning, my heart was light with joy. I’d just had a most wonderful afternoon with a group of creative writers at a local school. Aged from eleven to fifteen, the eighteen students were brimming with questions, ideas and originality. Their enthusiasm knows no bounds (a soaring and liberating sensation).  From my talk below the top tip that remained with the students afterwards was to ‘Write from your Heart’ – one couldn’t ask or hope for more.

Here is my talk to them in full for your perusal and if new (or not so new)  to writing I hope it can inspire you and your work.

♦♦♦

A heartfelt thank you for the invitation to meet you all today. I’m thrilled to be here and can’t wait to learn more about all of you and listen to some of your work.

First of all, how did I become an author?

Writing has been my lifelong passion. Just as I cannot imagine a life without books, nor can I imagine a day without writing. An inspirational teacher at primary school instilled in me the joy of creative writing and I haven’t stopped since. Writing became a way for me to paint with words, layering them for texture, using bold dramatic language on occasions, other times capturing the gentle nuances of a moment with subtle word play. It is an art form, that can be crafted, shaped, moulded to an endless variety of formats.

Three years ago I had the opportunity to start writing seriously and a well-established writing course gave me guidance on developing my writing as well as advising me on how to become published.

There are countless short story competitions available and entering some of these was my first port of call. I bought the magazines, studied their stories, and also, this is critical, read the rules to competitions. It baffles me how many fail to do this!

Very soon I won first prize in a Writing Magazine short story competition and the success of ‘Biding Her Time’ proved to be the confidence booster I needed.

I quickly developed a love for short stories and I delight in crafting them. They require clarity, conciseness whilst not being abrupt or missing out on the artistry of language and they can often be a form of character study. Every word has to count!

I draw inspiration from all around me — conversations, everyday experiences, and even news items. If an idea strikes me I make a note of it as soon as possible; after all it’s proven that ideas can float in and out of our consciousness within three seconds. If a notebook is to hand, I’ll scribble in that, otherwise I’ll tap away on the ‘note’ app on my mobile.

I’ve kept journals since young and they are a quiet meeting place for me to jot down my thoughts, ideas, concerns and story possibilities in private; never to be shared or scrutinised. I return to some of these at a later date and sometimes find a gem of an idea for a story, poem or even article.

img_1477
A small memento of my visit for the students. May many new stories be written with these.

The first line of a story is critical to me. Once that is in place the rest of the writing flows. It is as if someone is ‘dictating’ the story, it becomes organic and takes on a life form of its own. Subconsciously I will be writing away, the first draft always on paper, and many times I will be wonderfully surprised by a twist in a story or the strength of a minor character forcing their way to centre stage. It is a magical surreal experience and one that can last for hours.

The voice of the piece is a major factor in writing. I feel there are always two voices.

Your voice as the writer must be just that — YOURS. Be true to yourself when you write; this is what makes your writing original and enables it to shine out.

The voice or point of view of a story can vary. Will the point of view be first person, which is often more immediate and direct? Or will it be in the third person, which allows you more scope to examine events beyond just one person? There is also the option of the second person – you – format which I experimented with in one of my short stories. Of course, many books feature multiple points of views and it is important to make each distinct and at all times clear whose head you’re in!

Although I have printed a one-off edition of my earlier childhood work and also been featured as part of my writing group’s anthology, ‘The Storyteller Speaks’, is my first published book. I was encouraged to publish some of my short stories in a book by the readers of my blog.

My blog was set up following the recommendation by my tutor for the need of an online presence! As a result, I have made wonderful friends across the globe and also connected with people within all aspects of the publishing industry. Through this networking, I ‘met’ the cover artist for my book who lives in Australia and a company in Ireland provided extensive formatting support. 

Furthermore, I increasingly use Twitter to interact with readers, writers and publishers.

Planning a novel is not something I’d considered before I started writing mine a couple of years ago. ‘Island Girl’ is now in its final editing stages and I recollect its early days with fondness. Then, as with much of my writing, I set out to write it with just the backbones of a few ideas, themes and setting.

However, my time-line was slightly array, details of my characters and places were forgotten from one chapter to the next. It was a lot tougher keeping control of all the elements of a full-length novel. Quickly I developed various techniques to avoid future faults.

One way to spot both grammatical errors and glaring mistakes is always to read your work aloud! Since it is a lot to expect to read a whole novel aloud I started using ‘Natural Reader’ app.

Various writing programs are a huge benefit.The free online thesaurus is always open on my tab as I’m working. Similarly, a grammar program such as ‘Grammarly’ helps me to fine tune work, but I never automatically adopt its suggestions. I write on a software program called ‘Scrivener’. This acts as a virtual binder and allows me to plan chapters, look at my ideas on a virtual corkboard, include research documents, as well as writing the novel chapter by chapter.

Not content with writing short stories and a novel, I have also completed two children’s books.

What other advice can I give?

Throw yourself into writing and relish the experience! Find the magic within you and share it! Write from your heart! This may be easier said than done, if like me, your head tends to rule. Don’t disregard your mind but just don’t overthink.

Once you’ve finished a piece, and this can be tough, put it aside for a while. Returning to it with fresh eyes will be key to the next stage; editing. Here engage that brain, tap into your creativity, look out for ways to improve your writing. Perhaps you’re ‘telling’ too much instead of ‘showing’? Not only is it more enjoyable for the writer to show through their writing, it will lift your story.

Never underestimate the effectiveness of dialogue to carry a story forward, to show emotions, even description. It’s striking when you can have a sequence of speech without the ‘he said’/‘she said’. Try to avoid always using adverbs with these; the anger etc should come out in the language where possible.

Never be afraid of feedback of your work; after all we learn through constructive criticism. Also start to read your own written work with a critical eye when necessary.

Play around with your writing. Writing outside one’s comfort zone is a great way to bring new life into your work. Try another unusual genre. Shift your work around — explore new vocabulary and if writing fantasy, maybe even make up a few new words of your own! Use different tenses, viewpoints. I felt a sense of liberation writing from a male viewpoint in some of my stories and using the present tense brought a welcome sense of rush and urgency to them.

When not writing, read lots! Not just in one genre but across the board. It’s a wonderful way to learn. See what works well, and also look out for writing that falters, flatlines … learn from other’s mistakes.

When you start a new piece of writing, remember that this is your first and rough draft. If you wait to write down the most I and absolute best version of your work you may never start at all as you will feel inhibited before even writing a word.

Write with your Ideal Reader in mind — recall your own emotions and feelings when you are swept away by a story. There is nothing quite like escaping into another world; when the present real-world fades to that of the fiction. My dream has been to recreate that experience for all my readers — and hopefully I have. Make your characters three-dimensional, so real that neither you nor the reader wants to leave them!

Through the nitty-gritty of writing, the joy and power of creating worlds, characters, stories should never be underestimated.

As one famous writer said of short stories: ‘(they) are tiny windows into other worlds and other minds and other dreams. They are journeys you can make to the far side of the universe and still be back in time for dinner.’

©Annika Perry, March 2018

THE ELEVENTH HAT

ABF4BB80-BD28-467F-B9BC-71AD1F7E6DD4

The ELEVENTH HAT

This was Jensen’s tenth hat in as many weeks. The first, a cranberry felt Fedora lasted only a few days, before being replaced by a grey knit Beanie. He’d learnt a new word that time … Beanie and it had looked as inane as he’d imagined, even after he’d cut off the wobbly black bobble. His two ears refused to be tethered beneath its soft surface. Like two aircraft landing light beacons his ears poked out from beneath every imaginable hat.

Jensen had high hopes for the dark blue navy trilby with a feather tucked into its suave red band. His expectations were of course in vain. The tweed flat cap was anything but fashionable on his pathetic head. It rested neatly on the top, “a perfect fit”, the shop-keeper declared. What he did not say, did not need to mention were the ears, coming up and over the cap, stroking its sides. Nothing would hide these atrocities. 

“Buggerlugs!” they’d yelled at him at school. All those years ago. He’d tried to laugh along … at first. He’d even tried to take the daily abuse as a joke but failed as the non-stop flicking of his ears dragged on relentlessly for three long years. Every month his grotesque ears seemed to sprout further from his head. The fourth year offered respite as a new and younger pupil started school, a new ‘Buggerlugs’ for his tormentors to feed off. 

Jensen thought it was all over these last thirty years, that the school days were filed away in a remote recess in his brain, never to be accessed again. Until the luncheon at The Ivy eleven weeks ago. With his usual Moss Bros striped shirt and his long grey trousers he’d walked proudly into the coveted restaurant. The bar at the centre gleamed and glistened, the stained glass windows lent a mystical reverential aura to the meeting with his agent. Relaxed they’d chatted away until he spotted Slater. Two years his senior at school, an expert at delivering taunts and injury, Slater now sat at the next table. Jensen continued to sip his whisky, taking in the grown man that had been his persecutor. Dapper in a navy striped suit, Slater’s hands swung back and forth as his procrastinated with vigour and brashness. Slowly sinking into his chair, drink clutched tightly in both hands, Jensen hoped Slater would not spot him. No such luck, as with a curt nod, his adversary mouthed a greeting. Surely it couldn’t be! He couldn’t have said it! “Buggerlugs!”

Eleven weeks since the fateful meeting and the eleventh hat. Jameson whisky had become Jensen’s best friend and his head was reduced to a fug of memories. With shaking hands he reached for his most recent acquisition. So many had been discarded in disgust as they proved mediocre for their main purpose – to hide his blasted ears! A baseball cap was quickly disregarded, the beautiful cream coloured Panama hat had been sent flying across the room. The straw hat held such promise of summer days on the canal, however once in place it not only accentuated his ears but his shiny forehead too. 


This last purchase was perfect, Jensen was sure of it!  The tweed deer-stalker, as worn by the infamous fictional detective Sherlock Holmes, had adjustable earflaps … no need for his ears to be visible in public ever again! It was the only answer he felt, apart from taping down the abominations on the side of his head. He’d tried that once when young but the beggars refused to be tamed and flamboyantly sprung up and out for inspection. 

“Sir looks fine in this,” insisted the shop-keeper.

Jensen checked in the mirror again. What a lying…

“Jensen? It’s you, isn’t it?”

Slater, shifting warily from one foot to the next, stopped in front of Jensen. Slater was no longer so dapper, his shirt partially out his trousers, his hands clenched nervously. 

“I never forget what we did to you. I tried to tell you there, at The Ivy, when you rushed out. So Sorry! For Sorry! I deeply regret our, my behaviour…”

Jensen smiled, then waved imperiously as if swatting away an annoying bug. With a small push and shove with his shoulder against Slater, Jensen walked to the shop counter. With a ‘harrumph’ he sent his latest hat flying onto the wooden surface, calling out at the same time to the shop-keeper.

“I’ll no longer need this one. Nor the others. I’ll return them promptly and expect an immediate refund. No more hats for me!”

THE END

©Annika Perry, March 2018

90B4948F-74B7-447A-BA7A-F791386530E0

Author Annika Perry Chats About Inspiration for Writing

I consider myself lucky to have known Christy Birmingham since my early days on WordPress and have followed her blog ‘When Women Inspire’ with keen interest. As the title suggests, Christy’s aim of her blog is ‘to showcasing the efforts of women around the world to change the world in positive ways’. Wow!! She succeeds brilliantly and her posts are always inspiring, informative and thought-provoking.

Imagine then my delight to be invited to write a guest post about the inspiration behind my book ‘The Storyteller Speaks’! I’d hardly emailed her my enthusiastic yes and thank you before I started to write the post…read on to find out more.

For this time I’ve turned off comments here and look forward to continuing the chat over on Christy’s blog.

When Women Inspire

Please join me in welcoming author Annika Perry to the blog today. I have known her for years now and always enjoy her uplifting blog posts. Now she has published a collection of poems, short stories, and flash fiction pieces into “The Storyteller Speaks: Powerful Stories to Win Your Heart”!

Upon hearing this news, I immediately asked Annika to come over to chat about the inspiration behind writing this book. She kindly accepted. And, you know what? Her taking the step to publish her writing has helped inspire me to keep going with my own short story collection. What a wonderful boomerang effect! Now, without further ado, here is Annika Perry on being inspired to write.

View original post 683 more words

THE STORYTELLER SPEAKS – IT’S HERE!

TSS_Kindl_72dpi

It is with great pleasure I can now announce that  The Storyteller Speaks is available on Amazon.

The Storyteller Speaks ebook is available on  Amazon UK  or Amazon US or any other Amazon outlet.

The paperback will be published in January 2018.

 About the Book

It only takes one event to change a life. What is that action, decision, occurrence? Whose life is affected? Changed forever?

In this eclectic mix of 21 short stories, flash fiction and poetry the pendulum swings between first love and murder, from soul-destroying grief to reconciliation. The tales veer from the sweet satisfaction of revenge to new beginnings, from heart-breaking miscarriages of justice to heart-warming Christmas misadventure.

One common thread binds them all; the belief that there is no such thing as an ordinary life; they’re all extraordinary.

Open your hearts and minds as The Storyteller Speaks.

The Enigmatic Blurb

blurb post1

Why is it that even the mention of writing a blurb strikes abject terror into the normally calm and sane writer?

The task of describing and summarising a whole book, months or years of work, into a few short paragraphs seems nigh impossible. In the process the blurb has to be unique, capture the reader’s attention, excite them and tempt them to read on, ultimately to buy the book. The blurb and obviously the cover are often the first and only sales pitches for the book. The undertaking ahead feels hopeless.

Fear and dread of the blurb were my immediate reactions once I’d committed to publishing my anthology…I knew I needed one, yet every time the thought surfaced I erased it from my mind and dove even further into editing! As ever I needed a deadline and one evening I cleared my schedule for the following day, ensured I would not be disturbed and made a promise to myself to complete the blurb within 24 hours!

Early the next morning I entered my study and was confronted by my desk…the aforementioned one from my Frazzled! post. I could not work here. First I had to clean my desk – literally!

Over the past couple of months my working space had become chaotic with piles of paper and books balanced precariously and riotously on top of one another. There wasn’t even space for an A4 notebook. My solution was to move everything into the spare bedroom and once the desktop was polished I faced the gleaming wooden surface. Perfect! With reverential care I placed a notebook, pen and pencil on the desk, followed by my notes for my blurb as well as the print-out of how to write a blurb.

Yes, I lied a little…for weeks I’d been researching blurbs.

A blurb is tricky under normal circumstances and even more complex for a short story collection, I feel. First of all, I studied blurbs from other short story anthologies and I tried to pinpoint what drew me to them and what elements jarred – making notes all the time.

Next, I read ‘How to Write a Blurb’ articles online. One particular website provided fantastic information and I’d highly recommend The Author Society’s  ’17 Tips on How To Write a Blurb That Sells’.  Some tips were redundant for my anthology as the article was geared for novels. However, here are some points I found particularly useful and relevant:

  • The best length for a blurb is between 100 – 150 words. I would also like to add that it’s important to leave good line spacing for ease of reading.
  • Treat your first sentence like a pick-up line. It should entice them to read on and needs to be clever, engaging and new.
  • Use a cliffhanger. The reader needs to leave curious and hungry for more.
  • Use words that cater for your audience. They should evoke atmosphere and meet the readers expectations of the genre.
  • Use short sentences as buyers usually skim through the text.
  • Use hyperbole as these are powerful tools to spark curiosity.
  • Stay true to your voice. This piece of advice remained with me as I wrote my blurb. I felt it was vital to retain my voice which runs through the stories to be part of the blurb.
  • Use fresh eyes. Let it rest, print out and read in different formats such as phone, paper, computer.
  • Rewrite it many times.

With these notes to hand I started to scribble down ideas as I skimmed through my stories again; however there were two major stumbling blocks.

How could I include two of the most important elements of a blurb into mine; namely giving readers a setting and introducing the main characters? With so many different locations and characters; what could I do? In the end, I decided to give a flavour of some settings and some characters. With my short stories in front of me, I scanned back and forth, jotting down compelling and memorable characters, places, themes and feelings.

Gradually nuggets of a plan appeared, gems of ideas developed, but my initial blurb idea was still too vague. All the time I imagined a future customer, standing in a shop, quickly glancing at the back cover. How could I entrap them with my words, coax them to stay and read on and finally seduce them to buy a copy?

I rewrote the blurb time and again; examining every word and taking breaks as I paced around my study, reading aloud to myself, standing over my words, studying them, amending, rereading my notes.

Gradually an overall theme emerged and with this core central stabilising factor to the beginning, middle and concluding paragraphs I created my final blurb. One hundred words exactly!

The final blurb will be revealed soon! I have been promised the book cover this week and hope to post both together.

“A short story must have a single mood and every sentence must build towards it.” Edgar Allan Poe

blurbpost4

 

FRAZZLED!

My Desk

It’s never taken me so long to send an email before. 

I’m not referring to writing the message; its composition came easily enough. The actual act of pressing ‘send’ seemed impossible. My cursor hovered over the paper airplane icon; pausing I sat back and scanned the document once more. I stood up and paced around the room.

The momentous moment had arrived and my first manuscript was just a click away from the publisher. I was savouring the experience while being equally terrified of the reality. Many bloggers have used the analogy of giving birth with reference to writing a book; I can identify with this emotion to a certain extent…sending away my first book to an outsider felt like I was releasing my baby into the wider world. With another few tours of the room, I returned to my seat and pressed the button. No turning back!

After weeks of intense editing on my anthology of short stories my head seemed to burn with heat and a flu-like fever of concentration reverberated around my mind whilst the rest of my body struggled against the cold. A day or two of complete relaxation was in order to restore the equilibrium.

The editing process had been unexpectedly and contradictorily tougher and easier than anticipated. 

Hour after hour of close computer and document work took its toll on my eyes and head resulting in migraine-style headaches.

However, several useful editing tools were a fantastic help in bringing my manuscript to completion.

Grammarly, a proof-reading program recommended by Jacqui Murray at Worddreams (thank you, Jacqui!), was a most invaluable editing aid. After initially reading through each story a few times, amending the plot etc where needed, correcting typos and punctuation I then used Grammarly to check for any missed errors. Surprisingly it picked up quite a few; these included spacing gaps between words, spellings and punctuation. I did have to be cautious with my changes though as the spellings were corrected to American style and it had a predilection for commas which I disagree with – see what my editor says! 

Natural Reader  proved another excellent editing tool. Once again Jacqui recommended this on her blog and I was initially sceptical but decided to trust her positive experience with it. Despite the mechanical unemotional aura to the voice (although there are various choices) it made a huge impact having each story read aloud to me. Although I’d been reading some out to myself, listening actively to each word through Natural Reader allowed me to pick up on silly mistakes including one where I had put the wrong name for a situation in a story. Yikes!

As well as a dictionary by one’s side (or the website permanently on display) it is essential for writers to consider Thesaurus as one’s best friend. My original paperback copy from childhood is gradually falling apart so I now use its services online, consulting, searching for words to improve and sharpen my writing and this was even truer during these last editing weeks. 

Finally, never underestimate the value and effectiveness of good old-fashion pen and paper – or in my case pencils! With a few sharpened pencils in my arsenal, I printed out the stories when I thought they were ready and took them downstairs where I’d commandeered the dining room table (my desk by this time was overflowing with papers!). Here the final editing took place and with the change of room, my creative spirit was rejuvenated and the final changes were made. Some of these were minor, a word or two; in other cases, a whole paragraph was rewritten and paragraph spacing was slightly adjusted in the more complex ones. Furthermore, I was inspired to change the title of two stories. 

The stories for my anthology were now ready to be sent away to my editor; however, there were several more important elements to the book to complete before the full manuscript was whole. In my next post, I will describe how I tackled the all-important blurb, tag-line and about the author page. 

Thank you very much for following my exciting journey to publication of this anthology of short stories.The book is due out beginning December and I will reveal the book title and cover soon.

“I love short stories because I believe they are the way we live. They are what our friends tell us, in their pain and joy, their passion and rage, their yearning and their cry against injustice.” Andre Dubus

Bookcafe

CHIPPING AWAY!

sandsculpture

Editing is a strange process.

I’m finding the task both hugely satisfying and exhausting. Like a skilled artist, I imagine myself adding those final touches to a painting that will lift my work. As I carve away at my stories I’m falling for the characters all over again, getting to know them intimately, their stories engraved on my mind. Even when not at the computer, chipping and adding away, my thoughts are constantly with my creations…I want to honour them by presenting them in the best way possible.

My distracted state has not gone unnoticed at home. Returning from school one day my son cautiously asked why a breakfast bowl was on the laundry basket in the bathroom. A very good question and I had no sensible answer – no doubt a new edit idea struck me between rooms. I’ve warned him to expect a lot of these unusual distractions as I battle against my perfectionist nature and concentrate singlemindedly to complete my first book.

With a selection of my short stories with a professional editor, with discussions underway for a book cover, I have been reassured that completion before Christmas is possible.

Yikes! On hearing this deadline my stomach flip-flopped with excited elation (and terror!) whilst my mind nearly overloaded as I careered through everything that needs to be done. Then, ever the Virgo, organisation took charge and with a new notebook in hand, I made lists, lots of them. These I’m slowly ticking off…

Whilst editing I have noticed my predisposition for certain words which I’ve harshly erased; even as I berate myself for my persistent use of these lame and weak phrases, I’m pleased to learn more about my writing, how to improve it with immediate effect.

Who are the culprits? Stand up words, wave goodbye and bow out!

* Also   *Now    *Then     *At last     *Just

*After all    *Of course    *Finally

Finally (noooo!!) one chap’s name appeared in three different stories…sorry, there’s only need for one George!

‘My short stories are like soft shadows I have set out in the world, faint footprints I have left. I remember exactly where I set down each and everyone one of them, and how I felt when I did. Short stories are like guideposts to my heart…’  Haruki Murakami

C299ADBE-2693-4672-9C36-B831530FA1B2

A GREEN CAGE

Bad Prison Cell Alcatraz

I pace the floor. Not for the first time. One, two, three, four and a half. The metal green door is cold to my touch. My head swivels round and captures the photo on the wall. Holding its gaze I walk methodically back. One, two, three, four and a half. The edges of the photo are frayed and its colours dulled; the past ten years have not only taken their toll on me. The photo was taken with my camera, one that used actual film. I hear those don’t exist anymore. Everything is digital they say.

Joe’s tiny face smiles back at me. He was only six months at the time and how he loved bouncing in that blue baby rocker. His red romper suit covered in white yogurt after he’d knocked my hand feeding. We’d laughed so.

Those days all my photos were of Joe. Joe smiling, sleeping, playing with his cuddly lion, eating, swimming, on holiday at Centreparcs. We were inseparable. Until his death. Three months later.

“Turner! Turner!”

The prison officer fills the door, her hair pulled tight into a functional bun, the khaki-coloured uniform bulging at her waist and arms. Hard to believe that had been me; squeezing into clothes. Now a size 10 hangs like a sack on my tall frame.

“Turner!”

Standing still, I gaze ahead. Carol, that’s my name. They took that from me in here; my self. Sometimes I repeat it to myself, just to make sure I don’t forget. “Carol. Carol.”  Daughter, wife, mother. Then child-murderer. Or so they claimed.

“The warden wants to see you. Now!”

I nod curtly and glance at the space above my table. The light green cement wall is covered with study notes, magazine photos and a calendar. A big red circle pulsates around tomorrow, marking my appeal hearing. My final hope.

The daily clamour of prison life continues around me unabated. After the silence all those years ago the constant barrage of noise is a balm for me. The silence of Joe and the day he stopped breathing.

The relentless rain had whipped around the car on the journey home from the nursery that day. Joe had cried non-stop. This in itself was unusual as was the pitch of his scream; twenty minutes of fractured tortured crying. Not that of hunger or exhaustion. Slowly it dwindled to a whimper and I hate myself even now for being relieved at the peace.

I stopped by the front door and rushed Joe, who was in his car seat, inside along with the shopping, before driving to park around the corner. On entering the house his stillness struck me immediately. Then I spotted his lips, tinged light blue. Panicked, I released the seat belt, opened his jacket and held him. I tried to get him to breathe. Those minutes turned into a lifetime. I must have called an ambulance. They took him away, lights flashing and sirens blasting. I sat in the corner of the ambulance, helpless. Watching the paramedics fighting to save my son’s life. In vain.

The hail had hammered upon my face as the police arrested me soon after Joe’s death. I wasn’t even allowed to see him again. Nor was I permitted to attend his funeral.

At least Liam had been able to go. Liam, Joe’s father, my husband, who knew me better than anyone. We’d been close friends since our teens and he always trusted me, when many doubted. Many times since we’d sat across the visitor table, surreptitiously clasping each other’s hands for comfort.

“It will sort, love,” he’d promised. With his dark hair straggling across his face he insisted, “It’s all a big mistake”. He’d been right, only we never guessed it would take ten years to prove it.

Salt, such a small innocuous condiment. The police and doctors said I had been feeding Joe teaspoons of this over time to kill him. My beloved Joe. My incredulity at the accusation turned to total disbelief, then resignation as expert after expert testified to the high sodium levels in Joe. The only possible reason given for its presence was poisoning.

I could never have harmed him but nobody listened. He’d been tired, lethargic even. Joe’s low weight had always concerned me. I’d asked for help but was told not to worry.

My raw anger and desperation at the trial hadn’t helped. I realise that now. Neither had my appearance with unruly frizzy hair which had long since been tamed into a short smart bob. Exercise, an anathema to me previously, became my new religion and I trained at the prison gym like a fanatic. Its bright green walls especially gaudy under the fluorescent lighting.

Once my body was in shape, I turned to my mind. Unused since school where I gained a couple of qualifications, I studied like one possessed and only last year achieved a degree in law. I’d almost laughed as I held the certificate. A degree! Me?! A care home child, no known parents and already convictions for petty theft. I’d had no chance at the trial. No chance afterward either. Until five years ago and the death of a baby girl. Then two more babies. All from salt poisoning.

“Expect the best, prepare for the worst.”

The warden’s words reverberated in my head.

The worst had already happened. Couldn’t he see that? I knew what he meant though, losing the appeal, being trapped a lifetime within the green cage.

For the best I reread Liam’s letter, which I’d received the day before. He’d prepared the house for my possible home-coming and redecorated Joe’s nursery as a study for me. I swear I could smell the fragrances from the flowers in the garden through his description and closing my eyes I glimpsed the bright sunflowers against the back wall.

“I found him in Joe’s nursery at the weekend,” Liam’s mum said to me on a visit early on. “Asleep on the fur rug, clutching Joe’s clothes, teddies strewn around him. The charity bag lay empty in the corner of the room.”

I’d covered my eyes.

“Carol, dear. Liam can’t sort it all out. Shall I help?”

Her offer was the first of many that Liam and I came to rely upon. Now she too was gone and we only had each other.

The warden gave me a box and with trepidation I began to pack. Law books, spiritual books even, such as my well-thumbed copy of “Stillness Speaks”.  I would never have believed it. Then reams upon reams of notes and finally the file of newspaper cuttings.

On top was the story of the two now discredited expert witnesses who had testified against me. Their omission to mention a possible medical cause for the sodium poisoning had sentenced not only me but also three other women to jail for child murder.

Finally I placed the photo album Liam had made for me into the box. Its blue spine long since broken and the silver heart frame on the front no longer shone. I opened it carefully.

There we were on our wedding at the local registry office, then at the pub meal afterward. So simple but perfect.

There I was pregnant, looking blooming and blooming huge as well. For that big bump Joe was born tiny, a light bundle with black hair streaked across his head.

Then the last photo ever taken of Joe.

Liam gently bouncing him on his knee, Joe’s face half-hidden behind the hood of the yellow giraffe dressing gown, his hands tucked inside the long sleeves, Joe’s sweet giggles audible from the photo.

In shock I dropped the album and started shaking.

Not for the first time, I cried; sobbed until my body heaved with grief. Angry clanging on the doors followed as my cacophony of tears refused to be silenced. Before long darkness enveloped the cell and by the light of a torch the green forest of night closed around me.

“You’re free to go,” my lawyer said the next day in court. “You’re free.”

The appeal had passed in a blur, too shaken, too frightened of the outcome to absorb much detail.

“Free?” I questioned and looked around for permission to leave.

“Carol!” Liam was suddenly in front of me and unrestricted we moved towards each other. Then stopped. An invisible barrier. Liam took the final strides towards me and he reached out and pulled me in. Saving me. I rocked back and forth in his arms before we headed out into the blinding sunshine. To face the press together.

Two hours later I was home. The butterflies fluttered erratically around the flowering buddleia; more calmly the bees buzzed over the red roses. Our garden was a firework display of colours. Golds, reds, pinks, purples. I gingerly stepped over the petunias which had spread over the path, wanting to preserve their beauty.

Inside, the house gleamed and his mother’s redecoration years earlier was evident in the modern minimalist style. So tidy. No toys on the floor, stairs, furniture.

Liam took my arm and gently guided me towards Joe’s nursery. Apprehensively I opened the door.

It was stunning. The sun beamed upon the large pine desk in front the window and light dazzled me, reflecting from the crystal framed mirror. A bookcase stood empty. In the corner was a white armchair and Joe’s cuddly lion rested on the soft seat. The whole room teemed with sweet peas, the multicolours a feast for the eyes as I spotted them on the desk, windowsill and coffee table. Their scent a crashing reminder of that first and only spring with Joe.

“”I love it, Liam. It’s just perfect. Thank you,” I whispered quietly in awe.

“The colour?” he questioned cautiously. “Do you like it?”

I hadn’t spotted the light green walls at first, now I moaned to myself.

“They say green is calming and restful. Creates harmony,” Liam reassured me. “I thought it would help you settle back home.”

“That’s kind of you. Very thoughtful,” I replied. However, deep inside my emotions swirled. Liam meant so well.

I still didn’t think it was the right colour.

The End

©Annika Perry