My spirit has been flying these past few weeks! Evenings and weekends I’ve had the joy of listening to my son as he composed FLY WITH YOU. As if by magic the melody appeared and the layers of instruments gradually added to the composition.
It’s been a privilege to follow the stages of the song till its completion, along the way I’ve been taught how to attune my hearing to the individual instruments and sounds, shown how the piece sounds with and without the different elements! Who knew that the slightest hint of an instrument helps to build the foundation of the whole?!
Although, I should not be surprised … isn’t it just so in life? As Vincent Van Gogh believed: “Great things are done by a series of small things brought together.”
So it’s with great pride that I present FLY WITH YOU.
“You were born with potential. You were born with goodness and trust. You were born with ideals and dreams. You were born with greatness. You were born with wings. You are not meant for crawling, so don’t. You have wings. Learn to use them and fly.” – Rumi
May we at all times recognise and remember the truth of Rumi’s words!
Many thanks for reading and listening to this post – and wishing you a wonderful final day of March and a beautiful April ahead!
Music is an integral part of our lives, winding its way into our souls even before our birth. The array of sounds touch us to the core, reflecting our emotions, creating unique feelings, supporting us through crises, lifting us to new heights of joy. The variety of music is infinite and the range of reactions it creates within us is never-ending.
Lately I’ve been lucky enough to come across three pieces that sparked absolute awe within me, carrying me beyond the realm of the conscious to purity of just being.
The first one is a favourite for buskers around the globe, with the haunting refrain echoing around shopping precincts, tumbling down cobbled alleyways. For some reason many see this as a ‘simple’ tune to sing. Nothing could be further from the truth; it demands deep soul-searching from the singer, one so raw that the unadulterated passion is etched on the singer’s face, until the searing intensity of the song is felt by all. Jeff Buckley brought this Leonard Cohen song to millions around the world, and it was my favourite version until I saw this one below.
Many thanks to Laurie Buchanan at Tuesday with Laurie for introducing me to this breathtaking and heart-stopping ‘Hallelujah’ by K D Lang, which had me in tears in the end as the singer greets Leonard Cohen who is seated in the front row.
To lighten the mood my next tune is from on of my all time favourite songs; one that saw me through university and beyond. The first time I heard it was on a sunny day in Scotland (a rarity in itself as many of you will know) and it was one of those perfect days. Sitting on a window ledge with my legs dangling out I listened to this song for the first time as I watched the golfers at the 18th hole in St. Andrew’s. As I heard ‘Africa’ by Toto my spirits soared, life was technicoloured glorious!
Recently, I came across a new piano version of the song. The energy and vitality of Peter Bence, the pianist, is contagious, his enjoyment totally absorbing and fervent. Who knew the inventive sounds of a grand piano? For many musicians the piano lid bangs and the pulling of the piano strings might be cringe-inducing … but wow! The ultimate sound is spellbinding and unforgettable!
The final offering is one of the most original and eye-catching lyric videos I’ve come across. It is particularly apt for all writers out there and has a marvellous retro feel to it. The message of the song is both stirring and heartfelt, the tenderness and beauty of both the music and lyrics merging to the sublime. I hope you enjoy ‘Taste’ by Sleeping at Last as much as I do and many thanks to Sue Dreamwalker who introduced me to this song on her post Fixing From The Inside ~ To fix the Outside.
Before the video, here is just a taste of the chorus:
‘To fists unraveling, to glass unshattering. To breaking all the rules, to breaking bread again. We’re swallowing light, we’re swallowing our pride. We’re raising our glass, ’til we’re fixed from the inside.’
Thank you so much for listening to this musical interlude, and as always I look forward to your comments and discussions!
As many of us are looking forward to the festive season I wanted to share a Christmas song that’s been with me these past few days. As you travel to see loved ones, as you prepare the food for special lunches and dinners, as you wrap those last minute presents, enjoy this piano cover of Fairytale of New York.
Wishing you all a wonderful holiday season and heartfelt thanks for all your support & comments this year – it’s been a privilege and joy to get to know you!
Like the birds on the cover of ‘Seasons Defined’ my soul has taken flight this summer, and with various twists, turns, swoops and sweeps my inner consciousness has been on a mysterious journey. It is an intangible experience, an inexplicable sensation without one specific cause.
Along the way two creative art pieces have become my friends; both affecting me deeply and I’ve returned to them often.
The first is a unique poetry book which I won in a Giveaway by Khaya Ronkainen. This chapbook * travelled from Scandinavia, leaving Finland early summer, only to return with me to Sweden where I savoured it in peace and serenity.
Beautifully bound with golden ribbon and tag, I unwrapped ‘Seasons Defined’ with reverential care and with sweet expectation dipped into the book. Within are sixteen exquisite poems capturing the magic of the seasons in Finland; there follows an exploration of the wilderness, the landscapes, the weather, the wildlife.
‘Hoppers chirp Bees hum
Fostering species Flowers bloom
Cotton clouds Blot the sky’ (From ‘This is Country’)
Furthermore the poems become an exploration of oneself and ultimately love! This collection is a moving tribute to a country Khaya embraced as her own, as well as recognising her roots, and some poems tenderly capture the loving couple of Khaya and her husband.
‘we quench our thirst from a well of love and agree, love is a beautiful thing
we dine outdoors with birds singing and agree, it’s time to dance’ (From ‘Wilderness, My Friend’)
Life in all its facets is celebrated throughout!
As Khaya wrote in a personal handwritten inscription to me, I did indeed recognise a little, or rather a lot, of Sweden and its wilderness within the poems. I related directly to the natural world she so eloquently and vividly describes and through her words I saw the wonderful nature anew.
Whilst depicting the enchanting and bewitching seasons, Khaya’s work struck a deeper chord with me as she spoke of the solitude of the wilderness. Not to be confused with loneliness; this is an enriching, rewarding solitude that brings deeper understanding of the world and oneself.
Photo by Khaya Ronkainen
Photo by Khaya Ronkainen
‘I embrace silence.’ (From ‘At the Crack of Dawn’)
‘Deep in the wilderness, I stumble The track under a canopy of spruce Draped in snow leads to paradise
Only imagination stands between man and reality, for in dreamland Solitude is tangible.’ ( From ‘Winter Dream’)
The very solitude that enveloped me in its soothing arms during the summer and one which is not yet ready to release its clasp.
Throughout the poems, Khaya’s sense of wonder and joy at the nature of Finland is captured with awe and exhilaration. Her unique insight and approach is explained by the fact that Khaya is originally from South Africa. The variances of the Finnish seasons is a world away from ones experienced in the southern hemisphere. Furthermore, her poetry is influenced to a certain degree by the strong tradition of oral storytelling of the Xhosa people. I feel that within the beats of the poems there is a song to be heard, the pulse of the phrases take on a life of their own as they become all-encompassing, over-arching each other. This becomes more evident with each reading, when hidden depths are slowly unfurled.
I cannot thank Khaya enough for this precious Giveaway of both her first poetry chapbook and also of the highly unusual broadside ** of the poem ‘Summer’ with original artwork.
To read more about Khaya & her poetry as well as to buy the print version of ‘Seasons Defined’ click here to go to her website.
* If like me, you’ve never come across the word Chapbook before, this is an expression from North America and refers to a small paper-covered booklet, typically containing poetry or fiction.
** Broadside were traditionally posters, announcing events or proclamations, commentary in the form of ballads, or simply advertisements.
Finally just as Khaya’s poetry moves me so does the instrumental composition below. Just as the poetry embedded itself within me, so did the music of ‘Awakening’.
From the initial crackle of an old vinyl, the quiet haunting tones of the first bars rise to a hypnotising melody that never fails to lift my heart and mood. The musical ‘Awakening’ mirrors a shift and rekindling of my conscious self.
One comment on youtube writes of ‘Awakening’:
‘Absolutely beautiful, both music and cover. The title is so apt as the shining melody, gently and persistently get brighter. The darker background fights but loses. Five stars Sammy.’
Welcome to the 2nd day of my 3 Day Quote Challenge which I’m thrilled to take part in following the kind nomination by Laura at laurabrunolilly.com .
To the challenge…The rules are as follows:
Thank the person who nominated you.
Post a quote on 3 consecutive days.
Share why this quote appeals so much to you.
Nominate 3 different bloggers for each day.
A week ago a star in the music world passed away at the far too young age of 28 and upon learning the news of Avicii’s passing a wave of sorrow was felt around the world. Tributes poured in from the famous to the young, all touched by his music and lyrics; poetic lyrics which became part of so many people’s lives, my son’s (and mine) included.
Below is a quote from ‘Wake Me Up’ as well as a video of the entire song with all the lyrics.
My son wanted to honour Avicii’s memory in his own personal way and put together a piano medley covering some of the songs. I”m proud to include Sammy Perry’s video; first his introduction to the music.
‘This is a piano tribute to one of my favourite electronic artists, Avicii, who unfortunately passed away a few days ago. He has inspired me and countless others to make music and he will be missed by millions. This is a piano mix of some of my favourite songs by him and I hope you enjoy listening to it.’ Sammy Perry
An unassuming man writes unassuming songs with such power and poetry that he’s single-handedly dominating the UK music charts with 14 of his songs in the UK top 15.
Ed Sheeran, a Yorkshire lad, grew up in a village not far away and it was his ‘Castle on the Hill’ that first grabbed my attention with his signature style of telling a story of his youth, simple and straight forward but beneath the surface a soulful and profound message.
Quickly other songs on the album grew on me but ‘Castle on the Hill’ stayed with me and when I learned it was only an hour’s drive away a visit was planned. I just hoped it wouldn’t disappoint.
The predicted hour became a long meandering two-hour journey through quaint villages, thatched houses centuries old hugging the roadside. Soon other houses took on bold and vibrant hues, painted in ochre, startling orange, scarlet, dazzling blue. Small hamlets with the extraordinary names such as ‘Nedging with Naughton’ passed quickly whilst pedestrian style hunchback bridges spanned the brooks. Once again we spurned the Satnav and trusted to instinct, good luck and ultimately the good-old fashioned road until finally, we arrived at Framingham (and it only took three circuits of the town to locate a parking space!).
Framingham Castle dates back to the 12th Century and it was built by a local Norman family and was their home for over 400 years. Later it was briefly owned by Mary Tudor as she gathered her supporters to fight for the throne.
The castle is built on the natural highpoint in the village and it stands magnificently on the mound; a landmark visible across the county to the North Sea.
Its imposing facade strikes me as I walk towards the main gate which would have had a drawbridge across the dry moat. Towers reach for the sky and now number twelve out of the original thirteen and on top of some beautiful brick Elizabethan chimneys have been added by later occupants.
These were for both decorative and practical purposes and seeing their corkscrew design it is easy to understand why!
Having read about the wall-walk this was our first destination. It is unusual to find a complete curtain wall in a castle in England – let alone be able to walk around it.
The climb up the 10.5 m (30 feet) high walls was well worth the effort with spectacular views, particularly looking down at the mere below. When originally built the mere was three times larger and the castle would have been reflected in the still water and provide a striking and stately effect.
Walking around the moat, past the mere the sense of peace is palpable, the sense of history all around. Where Normans and Tudors walked, fought, lived, sightseers of the 21st-century swarm. People from the village gather, talk, chat…discuss music, compose songs. It is not hard to feel the inspiration which has become a top hit for Ed Sheeran.
As the album ‘Divide’ popularity grows and yes, I have become one of over 672,000 to have fallen in love with the album and bought it and quickly another song stood out to me. Its quiet, peaceful lyrical beauty is a tribute to his grandmother – it is wonderfully moving, touching the hearts of all who listen to it. I’m sure ‘Supermarket Flowers’ will have many in tears.