‘Flashes of Life’ a gem of a book! It is a wonderful original twist on short stories as within Pamela’s latest book all the stories are beautifully portrayed vignettes based on her own life and experiences!
Her writing sparkles as she reflects upon her childhood, her family, friends, work and her beloved partner. Her zest for life permeates through the pages and her sense of humour, her warmth, kindness and generosity shine through.
Every single story is captivating; I laughed out loud whilst reading some, others had me reaching for tissues. The author’s tenderness and innate wisdom touched my heart and within many of the stories, I recognised myself during various phases of my life. As she hopes in the introduction her smiles have indeed become mine.
Thank you, Pamela, for helping me to see my own life with a philosophical eye, letting my thoughts dwell upon my own guideposts, and finally, for introducing me to ‘fluffing my aura’ — how have I managed so far without this in my life!
Finally, it was a privelege to be asked to write an author endorsement for ‘Flashes of Life’ which is one of four on the back of the book! Another first in my life as a writer!
Pamela Wight is a successful author of romantic suspense novels, THE RIGHT WRONG MAN and TWIN DESIRES; two illustrated children’s book, BIRDS OF PARADISE and MOLLY FINDS HER PURR; and a “flash” memoir, FLASHES OF LIFE.
Pamela earned her Master’s in English from Drew University, continued with postgraduate work at UC Berkeley in publishing, and teaches creative writing classes in Boston and San Francisco.
She lives in the Boston area with her “right man” and hikes the New England trails while concocting her stories. Wight travels frequently to the San Francisco Bay area for additional inspiration. She speaks to book clubs, schools, and libraries in both locations.
Thank goodness for the blogging challenges that inspired Sally Cronin’s Life’s Rich Tapestry Woven in Words. An enriching and engaging collection of verse, micro fiction and short stories, her work is mesmerising, always uplifting and often humorous. Throughout humanity and the spirits of humans (and some animals) is a beacon of hope for us all.
Sally’s poetry is enticing, thoughtful and soothing; they are written tightly within the framework of syllables for various formats such as haikus and tankas yet explore a vast range of topics encompassing the wonder of the seasons, recognising human frailties and celebrating the warmth of togetherness. She manages to take us on a journey from cave drawings to digital code across the universe, from the mystical of the ugly troll with his bewitching music in The Moonlight Concerto to the enchantment of Fairies!
As a writer, one poem – an ode to writing – particularly struck a chord with me:
The Freedom to write
The freedom and time to create written words to be read by those open to our thoughts intoxicating.
by Sally Cronin
Sally Cronin is a master storyteller and I was immediately drawn into the lives of the characters in all her short stories. Her writing flows with ease and self-assurance within this diverse selection of short stories. I was moved by the reunion of siblings, impressed how a story told through the point of view of a polar bear both touched me and touched on environmental issues. The reason for a black sheep was raised in one story and had me smiling as did My Mouse, a clever play on words and a predicament experienced by most of us!
The superb stories in The Underdogs section had me in awe of the strength of the individual personalities of the dogs. Later, in For the Love of Lily, I was cheering on as eighty-year-old Millicent found her courage to stand up to her overbearing son with the help of her cat Lily and her kindly neighbour Eric. This was an excellent depiction of what I hope isn’t a scenario that takes place often.
The final longer pieces in the book are under the title of Speculative Fiction and these are all exceptional and shows Sally Cronin’s incredible imagination and ability in writing across all genres.
A moment of alignment is superlative and left me with goosebumps (of the happy variety!) as a child, following her death, manages to cross from the other world for the briefest of times on certain occasions to talk to her mother. Great Aunt Georgina left me tear-eyed and is a wonderful and powerful story partly told through the use of old letters; a deft use of an evocative writing technique. The Enhancement Project combines the tantalising hint of romance between a surgeon and her patient cyborg, all against the backdrop of the end of civilisation. It is a terrific blend of human and futuristic, of dark and light, love and destruction.
I can’t recommend Life’s Rich Tapestry Woven with Words highly enough and look forward to reading more of Sally Cronon’s books.
Sally Cronin is the author of fifteen books including her memoir Size Matters: Especially when you weigh 330lb first published in 2001. This has been followed by another fourteen books both fiction and non-fiction including multi-genre collections of short stories and poetry.
As an author she understands how important it is to have support in marketing books and offers a number of FREE promotional opportunities in the Café and Bookstore on her blog and across her social media.
Her podcast shares book reviews and short stories Soundcloud Sally Cronin
After leading a nomadic existence exploring the world, she now lives with her husband on the coast of Southern Ireland enjoying the seasonal fluctuations in the temperature of the rain.
Wouldn’t our existence be monotonous and bland if we didn’t share our lives, thoughts, events and experiences? Sharing with family and friends is at the core of living and so it is with books.
Finishing a book I am always keen to talk about it with a person close to me, chatting away about the story, the characters development and the emotions evoked. At times (not nearly often enough!) I take a step further and with joy review the book and as a writer, I fully appreciate what this means to fellow authors.
Personally, I treasure every single review! I’m uplifted and heartened by this precious gift of time and energy. This is true for one recent review for my book “The Storyteller Speaks” and within a few paragraphs it delivered a positive punch to my spirits. It is an incredible feeling when someone is deeply touched and affected by one’s work and a terrific boost to one’s writely self. I promise that being mentioned in the same sentence with the outstanding Alice Munro has not gone to my head!
“The Storyteller Speaks” is a beautifully written book of timeless stories, poetry and flash fiction.
Annika Perry writes a carefully constructed, powerful, multi-layered story. She skilfully foreshadows events and a life less than ordinary.
Annika Perry has the gift of a true story teller. She engages the reader to emotionally connect with the characters and stories: My heart aches for an inconsolable child. I have an unexpected visceral reaction to an accident. I am transported to the exact moment in time where I hear the silence. I realize courage can come in many colours. I am moved by the strength and resilience of the human spirit.
“The Storyteller Speaks” reminds me of the powerful stories written by Alice Munro. They are stories that never leave me. The words forever change me. I continue to savour these stories, of ordinary people living a remarkable life. I highly recommend “The Storyteller Speaks.”
Review by Erica Henault on Goodreads
Many thanks to Erica for her review and in the time I’ve known her I value her warm friendship, honesty and humour. Her love of life, family and friends shines through her wonderful and inspirational blog at Behind the Scenery ‘Grateful for the Present Moment’. Do take a closer look at her posts as they brim with her passion of ‘… sharing new perspectives with each other and learning from each other … always observing and paying attention, especially to the lessons that begin in whispers, lessons that get louder and louder.’
“Infinitely more important than sharing one’s material wealth is sharing the wealth of ourselves our time and energy, our passion and commitment, and, above all, our love.” William Simon
*Quote from Erica Henault’s review of “The Storyteller Speaks”.
“The Storyteller Speaks” is available to purchase on all Amazon websites including Amazon UK and Amazon US as well as directly from myself for an autographed copy of the book!
Shakespeare said it so well, didn’t he? Or did he?
“What’s in a name? That which we call a rose By any other name would smell as sweet.”
Even as a sixteen-year-old studying ‘Romeo and Juliet’ I had quibbles with this assertion. Although I understood the particular references for this play, I felt, and still do, that our given names carry a certain ponderance. With our names we have a responsibility to our ancestors, to ourselves. Behind each there is a story.
With these thoughts swirling in my mind, I approached Sally Cronin’s book with deep interest. I couldn’t wait to read it. In these fictional short stories she explores the lives of twenty named individuals. This first volume which I’m reviewing here included names from ‘A’ to ‘J’. I was enthralled by the concept of the book, the names in alphabetical order, male and female.
It’s been a while since I read a book of short stories and often I find that my brain needs to change gear, to adapt to the different mode of storytelling.
With ‘What’s in a Name?’ I did not need to make any such adjustments. I slipped seamlessly into the book and once I started I couldn’t stop! Each separate story pulling me into the next.
Each is centred around one person. This is all the stories have in common. The themes vary from gentle reunions, relationships which have gone awry whether in friendships, marriage, siblings or between parent and child, from war to a violent abusive marriage. The versatility of subject matter is astonishing.
Equally wide-ranging are the various time eras, often spanning thirty or more years seamlessly within the stories. In one the gap is from the very beginning of humans to modern-day as early man Brynyar is reflected later in the story in modern-day ‘Brian’.
Throughout, Sally captures the reader’s attention from the very first sentence, immediately transporting the reader to the setting. I found myself immersed, the tiniest of detail settling me into the story. Furthermore, and I’m not sure how she does it, Sally sketches such an intimate picture of the characters I felt they were my friends, neighbours. I fell for them, some I adored, a couple rightly angered me and I cheered as one was arrested. The stories never felt rushed, the writing flowing with ease and complete on their own. More than a few times however I longed to read more about their lives, to stay with the characters longer and I could easily imagine a novel from some of them.
Throughout, Sally writes in the third person but at no stage does this create a sense of distance, rather the close portrayals of every day people come powerfully across. Effortlessly she explores people in all stages of life. A few stories feature children and ‘Grace’ had me tear-eyed as the five-year-old girl struggled with loneliness in the orphanage once her best friend was adopted. Could Father Christmas make all the difference?
All the endings are wonderfully surprising, with delightfully unexpected twists. Some were brilliantly audacious, where else would one find an assassin featuring alongside stories including a ballerina and a tortoise? Some stories left me chuckling, others were heartbreakingly sad about loss, and others about fateful revenge.
‘What’s in a Name?’ is a highly rewarding and engaging read which I finished over two afternoons. It’s a book I highly recommend and I’m sure you will come away answering the question in the title of the book with a resounding ‘Everything is in a Name!”
Although I was sad to finish this first volume, I’m looking forward to reading Volume 2 of ‘What’s in a Name?’ which is already on my Kindle!
As well as a wonderful writer in her own right many of you will know about the superb work Sally carries out in promoting books for authors, helping in marketing via her blog, Smorgasbord Blog Magazine, and social media. She has become an indispensable and good friend of authors here on WordPress. What is probably less known is how she found herself here. Learn more on her about page here.
I was inspired to write J for … Jameson after reading an entry in Mslexia magazine for their regular ‘L is For…’ competition where a piece of creative non-fiction writing is inspired by a single alphabet prompt. Although my story is fundamentally non-fiction, elements within are tweaked to fiction and as a result I doubt I will be submitting this one but I’ve thoroughly enjoyed the challenge, particularly the exacting and creative re-write and edit to be within the 300 words limit.
‘The Storyteller Speaks’ by Annika Perry brilliantly illustrates how short stories can capture your heart, transport you to the scene of action and submerge you in the emotional journey of the characters. Her stories are a little above your expectations…a lot has to be discerned, which she leaves unsaid and therein lies their magic. Only a few can create it.
The symbolism of ‘Chillies in my Handbag’ is chilling, the agony that the words hide slowly spills out as Perry writes in the style of dual timeline, lending a touch of realism to the story, keeping a firm grip on the reader’s attention, actually hinting at profound matters of domestic strife. Carl’s loss too unravels itself gently as you keep wondering where is he heading in snow and who is constantly whispering “keep safe” in his ear. It is the style and the exquisite language that raises this book above an average storybook.
My heart missed a beat when Jake and Ellie got lost in the shroud of mist and snow and it sank with each shout for them. Such is the effect of Annika’s style of writing! It is difficult to pick up a favorite one from this collection of stories because all of them strike some chord somewhere as they are based on varied themes, each one connects us with the complexities of life, giving a subtle message that we are mere puppets or mute spectators in many situations that we wish to control.
by Balroop Singh
Perry’s debut book is a beautiful read. The twenty-one selections in ‘The Storyteller Speaks’ are primarily short stories, with a smattering of flash fiction and poems. The author states in the afterword that the thread binding the work together is “the belief that there is no such thing as an ordinary life,” and this insight is clearly borne out in her book. It’s what captivated me as I read.
The stories are all quite different, some dark and some lighthearted, though most are filled with the deep emotions of ordinary people as they navigate disappointment, loss, redemption, healing, and love. These are feelings that will strike a chord with most people, even if the circumstances aren’t quite the same. Most of the tales felt “quiet” to me, personal, as if I was looking beneath the outer appearances of a person into the rich pathos of their inner lives.
I tried to pick favorites as I read, but had to give up; there were too many. I recommend this book to anyone who loves short stories and wants to feel moved by the strength and courage of the human spirit.
by D. Wallace Peach
Writers may exaggerate the negative and write dystopian fiction. They may exaggerate the positive and write utopian fiction. In this fascinating collection of short stories, the positive being brought into greater relief is our ability to choose integrity and kindness rather than degenerative and uncaring mindsets and actions. Each story is a core sample of a human moral issue, a history of resiliency and loss, exposed to the light.
In most of the stories the characters are challenged by a tragic or potentially damaging event outside their control; in a moment, their lives are changed drastically, forever. Some of the characters have caused their own dilemma. They go on in a fog or struggle with painful memories and swings of emotion before they reach the tipping point: how will they respond? And it is to their credit they reach this tipping point, because it is done through conscious moral effort. But whether tragedy has come to them or they have made their own mistakes, they eventually recognize the situation through a severe exercise in honesty. This honesty springs from valuing the best sense of who they can be and become. They often draw on enriching relationships with other people and humanizing traditions. Then they go beyond: they make amends. By taking this action, they rise to a new level of moral and ethical consciousness. This is portrayed in clear-eyed fashion, showing how difficult it is to do, and yet liberating.
It is more than interesting for stories like these to be told; it may be necessary for our adaptability and survival, for our thriving as a species. The same could be said for the negative. In fact, these stories blend both in a new and perceptive way.
The flaws in her writing and story composition are small quibbles. For instance, just when I thought the stories would all be similar samples, there was a radical change. It is my hope Annika Perry will continue to hone her craft as a writer. She may yet give us an iconic work.
by Mary Clark
‘The Storyteller Speaks’ is a collection of short stories, and a couple of poems too, about life, love and death. This is the debut book of Annika Perry and she has certainly managed to write a lovely selection of very different stories.
‘Chillies in my Handbag’ is a story of a woman’s gradual disillusionment with love, her married life and even her child. The Mother’s inability to protect her only son from entering the traditional boarding school attended by her husband and his father before him, sets him on the road to becoming everything she has come to dislike in her husband. The son’s gradual reshaping of himself, a round peg, to fit into the traditional square hole is interesting. Will the Mother finally rebel against the dictates of her husband and if she does where will it all end?
‘The Man on the Flying Trapeze’ is a rather interesting poem about a trapeze artist who finds himself in an accident situation. The format of the poem was rather unique with each stanza reading almost like a limerick. I did enjoy this very much.
‘Smouldering Shame’ was another tale that fascinated me with its very likelihood in the set of circumstances. A tale of a woman whose life suddenly comes unraveled because of the secret activities of her husband. He is a man who cannot see the blessings in his life and, as many older men do, seeks more excitement in his retirement than is on offer in his home with rather disastrous consequences.
A couple of the stories could definitely have continuations. I think the author may have quite a bit more to tell us about these characters. I really enjoyed this book. I think Annika Perry has a lot of potential as a writer.
by Robbie Cheadle
My heart and mind were opened as the author promised in her “About the Book” section at the end of this marvelous collection of short stories. I’m generally not a reader of short stories, because I like the longer process of getting to know a character for an entire novel. But Perry gives full stories in a short story format that touch the reader while allowing the reader to imagine the before and after of the characters’ lives. The stories aren’t all happiness and light, some are edgier and sad. But they all give out a light through the expressive language used by the author. Also, each narrator is different in these stories, and the point of view can be first person or third; Perry switches it up. I took my time reading this collection, because each story is unique, and I liked spending some time with each one after I’d finished reading it. Well done, Annika Perry!
by Pamela S. Wight
The Storyteller Speaks is a wonderful collection of short stories, flash fiction and poems that depict a wide range of events, characters and viewpoints. At the centre of each is human relationships and the effect that a single event can often have on the course of a life. A full gamut of emotions is here, including love, grief, anger and redemption. The stories are moving, uplifting, sometimes dark, sometimes amusing. My favourites include: ‘The Whiteout Years’ which is a heart-breaking and touching depiction of grief and hope; and ‘Loss of a Patriarch’, a moving story about saying goodbye to the author’s grandfather. I also enjoyed the influences of the author’s Swedish heritage. This is a collection to savour and a book that fulfils its promise to win your heart.
By Andrea Stephenson
This is not about the war between lovers of dogs or cats. It’s about Annika Perry, a talented writer who works like a cat.
A dog is all blubbery love smeared across your cheeks, a loyal paladin stationed stalwart by your side. Tongue lollygagging out of its jaw, tail flailing around like a pig in a muddy pit – you’re gonna be drowning in slobbery canine love in about five seconds. Or maybe a fangy foreign agent hired to attack: a German shepherd or English pit bull. Teeth bared and muzzle lowered –you better run. You always know where you stand with Rover.
But a cat – you can’t tell anything by looking at a cat. There it sits on the windowsill, licking its paw, indifferent to all things human – the tasty treats, the dangling mouse toy, the arms ready to cuddle it. Suddenly it pounces, its claws deep in your bicep leaving parallel bloody tracks or a snip of your skin flapping loosely as it samples your nose. And then sashays back to the windowsill to await its next victim. Go ahead, stick around, it could be you again, if you dare to get close enough. Silly you, thinking Puss loves ya.
I mention this because Annika Perry writes like a cat. There she sits at the window, chewing on the end of her pencil, watching the world go by. And if you are anywhere near her line of sight, she’s probably watching you. Observing you and all your little peccadilloes. Like the way you hold a letter that might seal your future, or how you sip wine while your mind is loitering elsewhere. How the March wind drives rain upwards, making an umbrella useless. How a bouquet of vibrant flowers devastates you with memories and also lights up your world. You didn’t know she was looking that closely, did you? That’s a cat for you – indifferent but all knowing.
At first glance, ‘The Storyteller Speaks’ appears to be gentle family fare, tales written by a sweet faced, blue eyed lady who spends her time between Great Britain and Sweden, bearing candles and roses, taking photos, penning notes.
It’s how she entices you to her book. I’ve read ‘The Storyteller Speaks’ twice, the first time in order of presentation, the second in a meandering stroll through her poems and short stories.
If I attempt to review each of the twenty-one entries, I’ll over-report and do the book no justice. So I’m going to focus on a few tales that blew me away, as if driven by a sirocco out of the Sahara. This is important to remember, because like a cat, Perry sneaks up on you to lunge for your emotional jugular while you’re unaware she’s even in the room. She’s a keen observer of people, absorbing cultural details and body language.
‘Sofia!’ is about a little girl and her stuffed toy whose uncle takes her to visit the local zoo. It’s told through eyewitness accounts of zoo visitors and officials who answer Inspector Nunn’s questions. Apparently the child, Sofia, has been kidnapped or gotten lost as the focus of each interrogation appears to be what has happened to the child. Perry escalates suspense as we wait to find out if Sofia is safe or remains lost or even perhaps is dead, our suspicion and concern for the little girl mounting with each witness. The final person interviewed is Marija, Sofia’s mother, to whom Nunn relates the awful conclusion of the story. A shred of flesh hangs from Perry’s claws.
‘At a Loose End’ is a sweet story, about the time of life when you want to make significant changes to accommodate a different economic reality and new opportunities. Some decisions need only a small alteration, an act not possible a few years earlier. But family wedges into the narrow spaces and – I won’t ruin the story for you. But I bet you’ll agree. It’s a rather sweet story, proving sometimes the cat just wants to sun herself on the sill.
‘Lasting Sanctuary’ is a shorter story but one that packs a twist worthy of Sherlock Holmes or Hercule Poirot. To encompass so much in a wisp of a tale, just a brief iteration of this cat’s nine lives, is brilliant.
My favorite story is ‘The Whiteout Years’, and I’ve read it four times. Out of the gate, it captivated me with passages as lyrical as this one when Carl is driving through a winter storm, remembering his wife, Karin:
‘A moment of total silence. With the windows down he sat and listened. He never failed to be awed by the silence, the odd rustle of snow falling gently to the ground from the laden fir trees. The odd animalistic sound deep in the forest, feral and prehistoric.’
While this scene describes the landscape surrounding Carl, it also describes his isolation from the world. Lost in the snowdrift of his grief over his wife’s death, he is blinded by silence and whiteness and can’t move on with his life. The threat of Carl’s possible death looms throughout the story.
Annika Perry is a writer in tune with our deepest responses to the human condition, capturing the nuances of our psyche. Like an alert cat, she assesses carefully, knowing what to absorb for future use, how to convey realistic dialogue, which details will reveal more than the sum of their parts, and how to wind an unpredictable plot out of simple fare.
Unlike cats, Perry is respectful of people and all their foibles.
Sharon L. Pratt
The sub-title of this book is no overstatement. “Powerful Stories to Win Your Heart” is entirely apposite. I found the majority of the short stories fascinating and moving.
Annika writes succinctly, engaging the reader from the outset. She’s quick to paint a scene and I immediately felt I was “right there” with the characters. Scenes include a kitchen, a bedroom, a classroom, the inside of a car, even a prison cell. And she soon pulled me into each story with a turn of phrase that quite often injected a bit of suspense into the plot.
Topics cover the whole gamut of human experiences. Gambling debt. Redundancy. A fatal accident. A loveless marriage. A petty argument with long-lasting consequences. Injustice. Theft. Suicide. And much more. Likewise, be prepared to experience a range of emotions. Regret, joy, fear, horror, relief, shock, happiness …
I’ve been a fan of Annika’s blog voice for many years and particularly her ability to say so much with so few words in the short stories she often shares. Annika has a way of saying just enough to engage readers without giving too much away. She dribbles out clues. I hang on every word, wondering how it will unfold. I want to know–but not too fast because I’m enjoying the verbal journey. I need to savour every paragraph, every parsed thought, every surprise conclusion.
In ‘The Storyteller Speaks’, Annika provides an eclectic mix of short stories, flash fiction, and poetry. All of these are character-driven explorations into the raw feelings so often part of everyday events and yet, through Annika, I see them in a different light.
by Jacqui Murray (Vine Voice)
The stories and poems in Annika Perry’s debut book are indeed compelling. Each one evokes various emotions from everyday life. I’ve followed Annika’s blog for a while now, so I wasn’t surprised at how wonderful the final outcome turned out to be. The cover alone is stunning! She has her magical way of playing with words to pull the reader in, but keep one hanging on until the end.
However, not all of her writing in this book is lighthearted; some is pretty dark. There were times when I smiled, moments when I was horrified, and occasions for tears. The beauty is that with each turn of the page to a new story or poem, the reader is pleasantly surprised. With this being said, it was difficult to choose favorites, but I managed to pull out a few: ‘Chillies in My Handbag’, ‘Bouquet of White’, ‘A Rare Passion’, ‘Stars of Wonder’, and ‘Loss of a Patriarch’, which personally resonated with me because of my father’s passing last fall. Another bonus to this creative compilation was the ‘About the Stories’ section at the back of the book. I really enjoyed reading how each story was born. Overall, anyone who chooses to read this wonderful collection of short stories and poems will not be disappointed. This was a wonderful start to Annika Perry’s writing journey, and I’m sure I’m not alone in anticipating new publications from this amazing author.
by Lauren Scott
This is a brilliant collection of stories and poems. Each one offers a poignant message, sometimes uplifting, sometimes heartbreaking. What is consistent throughout is the command of the language, the eloquent turn of phrase, and the obvious passion behind each tale. There truly is something for everyone in this collection. I was particularly drawn to two stories: the last one, as it reminded me of my own grandfather, and the handbag story, which broke my heart (no mother should have to live through that). The author information at the end of the book was a lovely addition to the piece. I’m looking forward to more from this author.
by Luanne Castle
This abundant collection of stories is well-written and an affecting read. The stories of everyday life go straight to the heart; some nostalgic, some reflective, some uplifting, and some heartwarming. I enjoyed reading this book, and the notes at the end about what inspired some of the stories.
by Khaya Ronkainen
Annika Perry is a natural storyteller, a wordsmith of great talent. She writes at times with the language of a poet, at other times with the sharp and daring strokes of Picasso.
Sheer light infuse her pages;
Darkness where the soul cries.
Annika’s Anthology consists of stories filled with depth and entertainment. Joy and grief. Romance and thriller. They all share a deep care and love for their characters. The pace is unhurried, yet entirely without superfluous words. You are left totally absorbed in the events and settings.
How does she do it?
All I can say is … Annika, keep on writing.
I am hungry for more.
A wonderful book filled with meaningful stories. It would make a great gift.
by bernadette laganella
The appeal of short fiction is that it offers a glimpse of a character’s life, a problem, a twist and a quick finish. Annika Perry’s debut collection, ‘The Storyteller Speaks’, makes good on this promise in her newly published book of fiction and poetry.
Perry gives the reader twenty-one distinct stories about the daily challenges of marriage, children, friendship, family and loss. Her characters are knowable and likable, even the ones who find themselves on the bad end of a decision. Many of her stories depict the author’s upbringing in Sweden and the United Kingdom, yet show a universal understanding of family and relationships. And even though the stories are separate, the reader begins to develop a sense of community, as it seems as if some of the author’s characters might know each other.
Several standout stories will stick in the reader’s mind because of memorable characters and conflicts. In ‘The Whiteout Years’, a young widower wonders how he can let go of the heavy burden of guilt. Likewise, a young mother faces a very different future in ‘Sophia!’ after a bizarre and tragic series of events. In one, there is a sign of hope. In the other, an unknown challenge.
Other stories finish with a warm feeling of love and friendship. In ‘Friends Forever’, Perry’s characters overcome a long and painful break and in ‘Role-Playing’, happiness is a given when old friends reunite.
But Perry isn’t afraid of exploring difficult or dark subjects. In ‘The Game’, children playing a seemingly harmless game discover the frightening power of their diversion. And in ‘Smouldering Shame’, Perry’s characters confront betrayal and a sorrowful tragedy. In ‘A Rare Passion’, a young man acts on impulse and immediately sees the folly of his decision. Can he fix his mistake in time?
Despite difficult subjects in many stories, Perry offers a strong overlying message of hope, love and family, as shown in her final story, ‘Loss of a Patriarch’ in which a family finds peace and comfort after a beloved father and grandfather dies.
‘The Storyteller Speaks’ is a touching look at the challenges of life and relationships, an excellent debut. I look forward to reading more from this promising author.
by Barbara Vitelli
Having been a follower of Perry’s blog for a number of years, I was thrilled when she announced she was releasing a collection of her short stories. I knew anything she published would not disappoint. ‘The Storyteller Speaks’ is a mix of poetry, flash fiction and short stories. Each piece is brilliantly written in a way that only Perry can do. She’s a beautiful writer who knows how to draw the reader into a story. I’ll look forward to more work in the future from this talented author.
by Jill Weatherholt
I think this book is a good read. Annika Perry is a perceptive observer of the human condition, and has a gift of harnessing the humdrum minutiae of everyday existence and bringing it to life in short, concise, well told stories. She also includes the occasional entertaining poem and limerick to further demonstrate her talents and add to the variety. As a bonus, Ms Perry includes notes at the end of the anthology, explaining her motivation for writing the stories, many of which, directly or indirectly, are borne out of her own experiences.
by Mark Charlton
Wonderful really wonderful. Beautiful stories that are moments of pure escapism. The characters make you want to know more and the simple but beautifully written stories are both moving and engaging. Thank you.
by Hayley Smith
Perry’s 21 stories are reflections on grief, love, murder and the extraordinary details of ordinary life. Her descriptions shine. Perry’s voice is one that sticks with you long after the stories have been read. They are emotional pieces. Moving. Honest. Filled with love and imagination.
Enjoyable and thought-provoking.
By Carol Balawyder
I am a big fan of Annika’s blog and ‘The Storyteller Speaks’ does not disappoint. It is a well written and eclectic mix of stories from different genres that will indeed “win your heart.”
‘The Whiteout Years’ is poignant and beautifully written and “The Game” is both short and spooky. I particularly enjoyed ‘A Rare Passion’ based on a true story, and ‘Loss of a Patriarch’, on the loss of Annika’s dear grandfather known as Morfar.
I believe both Morfar and Mormor will be incredibly proud of their granddaughter.
by Brigid P. Gallagher
‘The Storyteller Speaks’ is an electric collection of 21 short stories, flash fiction and poetry that makes for an entertaining read. These stories cover a wide range of situations such as love, murder, revenge, misadventures, injustices and grief.
The author bares her soul and grief over the loss of her Morfar and Mormor in the story, ‘Loss of a Patriarch’. She keeps the readers on edge and guessing until the end of some of the stories as in ‘Sofia’. She has an innate ability to use her words sparingly and dribble out little clues to keep the reader hanging on her every word until the end of the stories.
At the back of the book the author shares her inspiration for each story. It’s evident that she uses daily experiences in her life to create intriguing and fascinating tales.
This is a commendable beginning book for this talented author who will be one to watch for future books.
by J. E. Spina
This is a wonderful collection of short stories. The author does such an excellent job of bringing her characters to life, it’s like pulling back a veil and stepping into their worlds. The flow of the writing is beautiful, the descriptions especially vivid. I rode emotional highs and lows along with the characters, swept up in their tales. Some are simple, some complex, all engaging. There are many gems in this collection, but I believe the first and the last are my personal favorites. The back matter in the book–which explains how many of the stories came to be–made the tales all the richer. I look forward to more work from this talented new writer!
by Mae Clair
A compelling collection of short fiction. Each story engages right from the start, and keeps delivering surprises as the character is developed and the action unfolds. Every piece is powerful in its own way. My favourite is ‘Chillies in my Handbag’, and I don’t want to give the plot away, but enough to say this: it’s a perfect illustration of Annika Perry’s talent and skill in capturing the deepest moments of the heart. From hope and loss to a joyful decision. From ambition and small joys to quiet desperation, then a calm and certain decision to change one’s life. Highly recommended.
by Cynthia Reyes
Reading this book is like eating chocolate — total bliss! You won’t be able to put it down once you’ve started!
Sometimes it is good to sit down and read some short stories. So much can be said in a few carefully chosen words. Which is the case in this delightful collection of stories and poems. Stories about a first and forever love, stolen flowers, forgotten chillies, frozen landscapes and a miscarriage of justice evoke a wide range of emotions.
My favourite story is the ‘Loss of A Patriarch’, depicting a family saying goodbye to a much-loved family member told in such a heartwarming manner it is sure to produce tears. For a first time author, this is a wonderful collection showing a range of writing skills.
By Darlene Foster
Enjoyed the stories a lot.
By Yvette Prior
‘The Storyteller Speaks’ is full of wonderful thought-provoking tales that don’t reveal too much and leave plenty of room for the reader’s imagination to take shape. The stories are very British and some are inspired by true events.
By Kevin Cooper
A really well-composed collection. Varied too, with no common theme – a bit like a box of chocolates. Several beautifully written scenes based on the author’s own life – ‘The Whiteout Years’ and ‘Loss of a Patriarch’ are examples. A heartbreaking story about the miscarriage of justice – ‘The Green Cage’. An oddity based on an unsolved crime – ‘A Rare Passion’. The author writes with skill and emotion, not afraid to experiment with her writing by throwing in the odd limerick-type poem (‘The Flying Trapeze’) to tell a story.
I enjoyed this collection from beginning to end.
By Roy McCarthy
Every story had me feeling as though I was watching and listening from a hidden spot. Real characters with real emotions. Such depth in each and every one and no wasted words. I couldn’t believe the book came to an end so quickly. Wonderful read.
Creativity is wondrous gift and one that has no expiration date!
This thought came to me whilst reading ‘Encounters’ by Fred. H. Rohn. Fred Rohn came late to writing after a two hugely successful careers in public accounting and venture capital investment behind him. His first book, ‘A Fortunate Life’, was published last year when he was aged 91, followed by ‘Encounters’ this year.
I admire and am in awe at the ease he seemed to have entered his third career. Age was no boundary for him, nor for many other artistic people as he explains in the preface, stating that ‘creativity doesn’t stop as you age’ and Herman Wook still wrote at 102.
I myself also aspire and hope to be writing to the last of my days!
‘Encounters’ is a collection of stories of varying lengths which explore ‘Relationships in Conflict’. All the stories are brilliantly written and immediately pulled me into their scenarios. I was always intrigued by the seemingly innocuous beginnings, compelled to read on and unravel the lives of the characters.
Consequence of one’s action is a theme explored in many of the stories as the conflict is deftly outlined. A conflict often followed by reconciliation. Fred Rohn demonstrates skill in placing the reading in the middle of a scene and gradually letting the story unfurl, mostly to delicious unexpected twists.
The first story of ‘The Painting’ highlights many of the writing elements that makes ‘Encounters’ such a great collection. The story begins in the middle of an art show along with an artist called Carrie. This supposedly understated opening quickly becomes a story centred on deceit, and a conflict with no possibility of resolution as Carrie’s actions cause irreparable damage to her marriage. This story, like the majority in the book, is told in the third person. This stylistic technique, which can seem rather distant at times, works perfectly for the stories.
Fred Rohn had a particular interest not only in observing and documenting conflict in relationships but also wanted to show an element of reconciliation in some of the pieces.
This is particularly evident in ‘Doc Brunner’ which is set in a small town in America during World War II. The era is beautifully captured as is the tension of the society at the time as the pastor becomes embroiled in a fight with the local council and bank in an attempt to save his church from foreclosure. His actions, sometimes verging on those of a showman, win new supporters amongst the youth, especially as Doc Brunner also seeks to ease the town’s restrictive rules regarding their freedom to socially meet-up.
There is a quiet, under-stated feeling to all the stories and this is particularly true in ‘Reunion Deals’. Here the sneaky and egotistic nature of Harry Long is brilliantly revealed and one cannot help but be pleased for the long-term deceit he has endured and will continue to experience.
A variety of locally divisive issues are tackled by Fred Rohn, and one of bullying is sensitively handled in ‘The Piano Recital’. Where many earlier stories feature adults, here 12-year-old Jeremy Twitchell is relentlessly bullied by Bill Parsons. With the help of a piano teacher, a music concert and a surprise suggestion by Jeremy a rewarding and heart-moving reconciliation is achieved.
A few stories centre around the hiring and firing of staff … in itself a most unlikely topic for short stories! However, these are all terrific reads and as usual I was hooked! The lack of empathy and understanding of certain characters is conveyed with expertise.
Two of my favourite stories are slightly unusual. ‘Bicycle’ is deceptively simple in itself with hidden depths and is profoundly moving and full of wisdom as a younger brother is helped by his morose older brother. ‘The Old Man’ is uniquely centred on just one character who remains nameless throughout. In a series of everyday situations his confusion, loneliness is shown as he fails to comprehend his own state and merrily signs up for a most unusual course!
I am particularly struck by the last two pieces in the book – which I assume are autobiographical. Both these are in the close first person. ‘My Red Bible’ is a personal essay about a red-covered bible which was received on the 17th birthday. This thoughtful and reflective piece takes us from Fred’s travels and musing, showing how important this gift has been to him over the years.
‘Reincarnation – Chance Encounters with The Past’ is a wonderful finale to ‘Encounters’. In this eerie work the writer describes the visits from the departed, particularly from his mother. Bizarrely in some of the visions she has adapted to the modern world, even to the extent of checking emails and using an iPhone! Whilst the author longed for a hello from his mother, the readers can only hope that Fred Rohn was aware that his written work is a testament to his mother’s belief: ‘She always said that imagination and intellectual curiosity were two of most important attributes one could possess.’
Finally, it was with deep sadness I learnt that Fred Rohn passed away earlier this month. As some of you know, his daughter Barbara Vitelli at Book Club Mom helped him on his publishing journey. My sincere condolences to both Barbara and her family.
It’s been a wonderfully inspiring morning! Whilst preparing breakfasts, packed lunch, loading the washing machine I had the joy and honour of listening to the winning entries of this year’s BBC 500 Words short-story writing competition for children. The finale of the contest, which saw over a staggering 135,000 entries, was held at Hampton Court Palace and the Honorary judge was Her Royal Highness The Duchess of Cornwall.
The ability and inventiveness of the children in their stories is astonishing. Their creativity, lyricism and themes were both heart-warming and funny. The Gold Winners in the 5-9 age category and the 10-13 age category were both stories I’d read from the short-list; both enthralling, very different but brilliantly written stories. These youngsters have so much to teach us all. Below is the winning entry for the 10 – 13 age group. Enjoy.
Dancing on the Streets by Sadhbh Inman
Tai ya tai hi
Tai ya tai hi…
On a noisy, dusty road, a child’s bare brown feet are hardly noticed as she weaves in and out of the traffic, dodging cattle and halting at taxis. She presses her nose against the windows of vehicles carrying crowds of tourists. “Tissues ma’am, tissues sir, only ten rupees for a box”. Sita is small for a seven year old, but then seven year olds from the slums in Ahmedabad are often smaller than other children.
Tai ya tai hi
Tai ya tai hi…
The Bharata Natyam rhythm encourages her to dance, from car to lorry, lorry to rickshaw. On Sita’s tiny face a smile begins to form. She is so engrossed in the rhythm that she never misses a beat. A lady in a rickshaw spots her quick-footed movements and starts rummaging through her purse to find twenty rupees, “ten rupees for the tissues and ten for your dancing”.
Tai ya tai hi
Tai ya tai hi…
Sita is delighted about receiving that much money, and dances off to the tailor’s to get her Bharata Natyam dress made and her dream fulfilled. The tailor’s fingers work quickly with the silky, emerald fabric. The gleaming needle punctures the soft cotton cloth, creating neat rows of stitches. Sita watches as the dress is completed. Sita takes the dress, her eyes wide with excitement, her mouth open in anticipation. “That’s one hundred rupees child” the tailor says kindly. Sita carefully unfolds the notes she has been saving for over a year and with a hopeful sigh, hands them over.
“I’ll have that!” a voice booms. Sita stands, her back to the stranger. She strongly smells rum. “Oh! It can’t be” she murmurs. A dark shadow and fiery breath indicate his presence…”Uncle!” His eyes narrow menacingly, sending a shiver down Sita’s spine. “I’ll have that!” he booms again. Uncle takes the money off Sita. He turns around and slams the door behind him.
Sita knows it will be the end of her happiness. It feels like a part of her body is gone, fatally gone forever. Sita also knows that she should have given the money to Uncle, but it didn’t seem fair that he sent her to get money, to make him a rich man.
Tai ya tai hi
Tai ya tai hi…
On a noisy, dusty road, a child’s bare brown feet are hardly noticed as she weaves in and out of the traffic, dodging cattle and halting at taxis.
“Tissues ma’am, tissues sir …only ten rupees for a box”.
The 500 Words short-story writing competition for children contest started eight years ago and was originally created by Chris Evans, a Radio 2 presenter, and supported by the BBC, as well as this year by Oxford University Press and a multitude of volunteer readers. It is a competition that fosters not only the love of reading, but as evident here, the absolute joy of imagination and writing! To listen and read to all or some of the top 50 entries in both categories click here.
Wow! I felt like a movie star as I left the school, a large bouquet of flowers nestled in the crook of my arm. My mind was spinning, my heart was light with joy. I’d just had a most wonderful afternoon with a group of creative writers at a local school. Aged from eleven to fifteen, the eighteen students were brimming with questions, ideas and originality. Their enthusiasm knows no bounds (a soaring and liberating sensation). From my talk below the top tip that remained with the students afterwards was to ‘Write from your Heart’ – one couldn’t ask or hope for more.
Here is my talk to them in full for your perusal and if new (or not so new) to writing I hope it can inspire you and your work.
A heartfelt thank you for the invitation to meet you all today. I’m thrilled to be here and can’t wait to learn more about all of you and listen to some of your work.
First of all, how did I become an author?
Writing has been my lifelong passion. Just as I cannot imagine a life without books, nor can I imagine a day without writing. An inspirational teacher at primary school instilled in me the joy of creative writing and I haven’t stopped since. Writing became a way for me to paint with words, layering them for texture, using bold dramatic language on occasions, other times capturing the gentle nuances of a moment with subtle word play. It is an art form, that can be crafted, shaped, moulded to an endless variety of formats.
Three years ago I had the opportunity to start writing seriously and a well-established writing course gave me guidance on developing my writing as well as advising me on how to become published.
There are countless short story competitions available and entering some of these was my first port of call. I bought the magazines, studied their stories, and also, this is critical, read the rules to competitions. It baffles me how many fail to do this!
Very soon I won first prize in a Writing Magazine short story competition and the success of ‘Biding Her Time’ proved to be the confidence booster I needed.
I quickly developed a love for short stories and I delight in crafting them. They require clarity, conciseness whilst not being abrupt or missing out on the artistry of language and they can often be a form of character study. Every word has to count!
I draw inspiration from all around me — conversations, everyday experiences, and even news items. If an idea strikes me I make a note of it as soon as possible; after all it’s proven that ideas can float in and out of our consciousness within three seconds. If a notebook is to hand, I’ll scribble in that, otherwise I’ll tap away on the ‘note’ app on my mobile.
I’ve kept journals since young and they are a quiet meeting place for me to jot down my thoughts, ideas, concerns and story possibilities in private; never to be shared or scrutinised. I return to some of these at a later date and sometimes find a gem of an idea for a story, poem or even article.
The first line of a story is critical to me. Once that is in place the rest of the writing flows. It is as if someone is ‘dictating’ the story, it becomes organic and takes on a life form of its own. Subconsciously I will be writing away, the first draft always on paper, and many times I will be wonderfully surprised by a twist in a story or the strength of a minor character forcing their way to centre stage. It is a magical surreal experience and one that can last for hours.
The voice of the piece is a major factor in writing. I feel there are always two voices.
Your voice as the writer must be just that — YOURS. Be true to yourself when you write; this is what makes your writing original and enables it to shine out.
The voice or point of view of a story can vary. Will the point of view be first person, which is often more immediate and direct? Or will it be in the third person, which allows you more scope to examine events beyond just one person? There is also the option of the second person – you – format which I experimented with in one of my short stories. Of course, many books feature multiple points of views and it is important to make each distinct and at all times clear whose head you’re in!
Although I have printed a one-off edition of my earlier childhood work and also been featured as part of my writing group’s anthology, ‘The Storyteller Speaks’, is my first published book. I was encouraged to publish some of my short stories in a book by the readers of my blog.
My blog was set up following the recommendation by my tutor for the need of an online presence! As a result, I have made wonderful friends across the globe and also connected with people within all aspects of the publishing industry. Through this networking, I ‘met’ the cover artist for my book who lives in Australia and a company in Ireland provided extensive formatting support.
Furthermore, I increasingly use Twitter to interact with readers, writers and publishers.
Planning a novel is not something I’d considered before I started writing mine a couple of years ago. ‘Island Girl’ is now in its final editing stages and I recollect its early days with fondness. Then, as with much of my writing, I set out to write it with just the backbones of a few ideas, themes and setting.
However, my time-line was slightly array, details of my characters and places were forgotten from one chapter to the next. It was a lot tougher keeping control of all the elements of a full-length novel. Quickly I developed various techniques to avoid future faults.
One way to spot both grammatical errors and glaring mistakes is always to read your work aloud! Since it is a lot to expect to read a whole novel aloud I started using ‘Natural Reader’ app.
Various writing programs are a huge benefit.The free online thesaurus is always open on my tab as I’m working. Similarly, a grammar program such as ‘Grammarly’ helps me to fine tune work, but I never automatically adopt its suggestions. I write on a software program called ‘Scrivener’. This acts as a virtual binder and allows me to plan chapters, look at my ideas on a virtual corkboard, include research documents, as well as writing the novel chapter by chapter.
Not content with writing short stories and a novel, I have also completed two children’s books.
What other advice can I give?
Throw yourself into writing and relish the experience! Find the magic within you and share it! Write from your heart! This may be easier said than done, if like me, your head tends to rule. Don’t disregard your mind but just don’t overthink.
Once you’ve finished a piece, and this can be tough, put it aside for a while. Returning to it with fresh eyes will be key to the next stage; editing. Here engage that brain, tap into your creativity, look out for ways to improve your writing. Perhaps you’re ‘telling’ too much instead of ‘showing’? Not only is it more enjoyable for the writer to show through their writing, it will lift your story.
Never underestimate the effectiveness of dialogue to carry a story forward, to show emotions, even description. It’s striking when you can have a sequence of speech without the ‘he said’/‘she said’. Try to avoid always using adverbs with these; the anger etc should come out in the language where possible.
Never be afraid of feedback of your work; after all we learn through constructive criticism. Also start to read your own written work with a critical eye when necessary.
Play around with your writing. Writing outside one’s comfort zone is a great way to bring new life into your work. Try another unusual genre. Shift your work around — explore new vocabulary and if writing fantasy, maybe even make up a few new words of your own! Use different tenses, viewpoints. I felt a sense of liberation writing from a male viewpoint in some of my stories and using the present tense brought a welcome sense of rush and urgency to them.
When not writing, read lots! Not just in one genre but across the board. It’s a wonderful way to learn. See what works well, and also look out for writing that falters, flatlines … learn from other’s mistakes.
When you start a new piece of writing, remember that this is your first and rough draft. If you wait to write down the most I and absolute best version of your work you may never start at all as you will feel inhibited before even writing a word.
Write with your Ideal Reader in mind — recall your own emotions and feelings when you are swept away by a story. There is nothing quite like escaping into another world; when the present real-world fades to that of the fiction. My dream has been to recreate that experience for all my readers — and hopefully I have. Make your characters three-dimensional, so real that neither you nor the reader wants to leave them!
Through the nitty-gritty of writing, the joy and power of creating worlds, characters, stories should never be underestimated.
As one famous writer said of short stories: ‘(they) are tiny windows into other worlds and other minds and other dreams. They are journeys you can make to the far side of the universe and still be back in time for dinner.’
This was Jensen’s tenth hat in as many weeks. The first, a cranberry felt Fedora lasted only a few days, before being replaced by a grey knit Beanie. He’d learnt a new word that time … Beanie and it had looked as inane as he’d imagined, even after he’d cut off the wobbly black bobble. His two ears refused to be tethered beneath its soft surface. Like two aircraft landing light beacons his ears poked out from beneath every imaginable hat.
Jensen had high hopes for the dark blue navy trilby with a feather tucked into its suave red band. His expectations were of course in vain. The tweed flat cap was anything but fashionable on his pathetic head. It rested neatly on the top, “a perfect fit”, the shop-keeper declared. What he did not say, did not need to mention were the ears, coming up and over the cap, stroking its sides. Nothing would hide these atrocities.
“Buggerlugs!” they’d yelled at him at school. All those years ago. He’d tried to laugh along … at first. He’d even tried to take the daily abuse as a joke but failed as the non-stop flicking of his ears dragged on relentlessly for three long years. Every month his grotesque ears seemed to sprout further from his head. The fourth year offered respite as a new and younger pupil started school, a new ‘Buggerlugs’ for his tormentors to feed off.
Jensen thought it was all over these last thirty years, that the school days were filed away in a remote recess in his brain, never to be accessed again. Until the luncheon at The Ivy eleven weeks ago. With his usual Moss Bros striped shirt and his long grey trousers he’d walked proudly into the coveted restaurant. The bar at the centre gleamed and glistened, the stained glass windows lent a mystical reverential aura to the meeting with his agent. Relaxed they’d chatted away until he spotted Slater. Two years his senior at school, an expert at delivering taunts and injury, Slater now sat at the next table. Jensen continued to sip his whisky, taking in the grown man that had been his persecutor. Dapper in a navy striped suit, Slater’s hands swung back and forth as his procrastinated with vigour and brashness. Slowly sinking into his chair, drink clutched tightly in both hands, Jensen hoped Slater would not spot him. No such luck, as with a curt nod, his adversary mouthed a greeting. Surely it couldn’t be! He couldn’t have said it! “Buggerlugs!”
Eleven weeks since the fateful meeting and the eleventh hat. Jameson whisky had become Jensen’s best friend and his head was reduced to a fug of memories. With shaking hands he reached for his most recent acquisition. So many had been discarded in disgust as they proved mediocre for their main purpose – to hide his blasted ears! A baseball cap was quickly disregarded, the beautiful cream coloured Panama hat had been sent flying across the room. The straw hat held such promise of summer days on the canal, however once in place it not only accentuated his ears but his shiny forehead too.
This last purchase was perfect, Jensen was sure of it! The tweed deer-stalker, as worn by the infamous fictional detective Sherlock Holmes, had adjustable earflaps … no need for his ears to be visible in public ever again! It was the only answer he felt, apart from taping down the abominations on the side of his head. He’d tried that once when young but the beggars refused to be tamed and flamboyantly sprung up and out for inspection.
“Sir looks fine in this,” insisted the shop-keeper.
Jensen checked in the mirror again. What a lying…
“Jensen? It’s you, isn’t it?”
Slater, shifting warily from one foot to the next, stopped in front of Jensen. Slater was no longer so dapper, his shirt partially out his trousers, his hands clenched nervously.
“I never forget what we did to you. I tried to tell you there, at The Ivy, when you rushed out. So Sorry! For Sorry! I deeply regret our, my behaviour…”
Jensen smiled, then waved imperiously as if swatting away an annoying bug. With a small push and shove with his shoulder against Slater, Jensen walked to the shop counter. With a ‘harrumph’ he sent his latest hat flying onto the wooden surface, calling out at the same time to the shop-keeper.
“I’ll no longer need this one. Nor the others. I’ll return them promptly and expect an immediate refund. No more hats for me!”