Artist – Annika Perry

The emotions are sometimes so strong that I work without knowing it. “The strokes come like speech.

“The emotions are sometimes so strong that I work without knowing it. The strokes come like speech.” Vincent Van Gogh

Welcome to my third and final instalment about Carl Larsson and his watercolours of the beloved family home; a place where he ‘experienced an indescribable delightful feeling of seclusions from the hustle and bustle of the world’.

Carl Larsson (1853-1919) was heavily influenced by William Morris and the Arts and Crafts movement in the UK and over the years Karin and Carl transformed their humble abode and in the process created a lasting legacy for interior design in Scandinavia and beyond. Their charming, evocative and distinctive style in furnishings is still highly influential and inspiring homemakers today.

“If light is in your heart you will always find your way home.” Rumi

Whilst Carl, with some help from carpenters, made the furniture, carved the doors and cupboards, Karin was responsible for the textiles and tapestries at ‘Little Hyttnäs’ as well as the rugs.

The idea to paint pictures of the home was first suggested to Carl by Karin during a rainy summer in 1894 when she feared her husband would fall into depression. Inspired, he continued to paint all aspects of their house and lives within and outside it.

“A picture is a poem without words.” Horace

Following Carl’s acceptance of an invitation from the publisher Bonnier to print some of his watercolours, twenty-four of the paintings were reproduced in the now famous ‘Ett Hem’ book. Initially sales were slow in Sweden until a German version became an instant bestseller in Germany, selling 40,000 copies in three months.

Carl and Karin Larsson were said to have been overwhelmed by its success however Carl always felt that the pictures of his family and home ‘became the most immediate and lasting part of my life’s work. For these pictures are of course, a very genuine expression of my personality, of my deepest feelings, of all my limitless love for my wife and children.’

‘Ett Hem’ has never been out of print and has had over 40 print runs. Today the family home is owned by their descendants and open to tourists during the summer.

We shape our buildings; thereafter they shape us.” Winston Churchill

NB. I look forward to reading your thoughts about the posts in this series and I will respond upon my return to the UK later in the month.

Every week I look forward to Friday morning and a treat in the form of Bernadette’s regular ‘Feminist Friday’ posts on her blog haddonmusings.com The women featured, both famous and not so famous, are aways inspiring and fascinating. Recently I heard the story of one British woman who was a trailblazer in the world of printmaking and I want to share her life, her work with you.

Artist and printmaker Helena Markson is a person whose name and fame should have spread far beyond her field of expertise. Born in London in 1934, she studied at Salisbury School of Art and then at Central School of Art before becoming a successful professional printmaker. Initially she co-directed a Fine Art Printmaking workshop, soon after she set up an etching studio in London before teaching at Chelsea College of Art and St. Martin’s School of Art in London. During this time she exhibited many of her prints. Her lifelong career took her across the UK, to America and Israel and she worked until her death in 2012.

hmarkson-new-brighton-fair — Brighton Fair

Although there were women involved in printmaking in the 1950s, most would work on smaller pieces that were made using less equipment and could be done at home, for example wood engravings, wood-cuttings and lino cuttings. Helena was unusual in that she worked in etchings, often large ones, which used acid and print presses; in other words she worked from a print studio with both the space and ventilation she required.

hmarkson-entrance-albert-dock — Albert Dock

Throughout her life Helena was inspired by architecture and her range of work reflects this; she always depicted places she had a special connection to and particularly buildings. These were firstly from her life in London and Salisbury. Later Liverpool featured strongly in her work following an important commission by the main town planner who had been drawn to her earlier work. As a result she spent much time completing a series of prints highlighting the urban renewal undergoing in Liverpool in the 1960s.

Israel was the centre for the latter part of Helena’s career as well as her life. Initially she was invited to show her work in the country, however she was immediately fascinated and drawn to the country and its people and in 1970 Helena moved permanently to Israel. Helena is held in high esteem in the county and is seen as a pioneer who set up the country’s first print studio at the newly created University of Haifa. As co-founder of the Art Department within the university she brought printing presses and equipment from the UK to form the new print studio. Later she set up the Fine Art Print Studios and taught lithography and etching and became Professor Emeritus of Haifa University.

hmarkson-waving-grassesjpg — Waving Grasses

Helena was a private person throughout her life but she always retained a strong emotional presence to wherever she worked and this was true for her work in Israel which cemented her fascination with landscape and all her prints are imbued by a sense of place. However in Israel there was a transition in her style; her early work of London and Liverpool were mainly monotone subtle colours and architectural whilst her later prints gave more a sense of space in vibrant blues and oranges.

Even though she lived and worked in Israel until her death aged 78, Helena continued to visit the UK and America. In the UK the poet, Dylan Thomas, particularly caught her attention and she completed a series based on his poems called ‘Dwelling Places’ with images of places she had lived, books she had read and people she knew.

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Helena Markson’s beautiful prints are open to view in collections around the world including the Museum of Modern Art in New York and Tate Britain in London. A book celebrating her work has recently been released and is entitled ‘Helena Markson – A Sense of Place’ .