ETT HEM #3

The emotions are sometimes so strong that I work without knowing it. “The strokes come like speech.

“The emotions are sometimes so strong that I work without knowing it. The strokes come like speech.” Vincent Van Gogh

Welcome to my third and final instalment about Carl Larsson and his watercolours of the beloved family home; a place where he ‘experienced an indescribable delightful feeling of seclusions from the hustle and bustle of the world’.

Carl Larsson (1853-1919) was heavily influenced by William Morris and the Arts and Crafts movement in the UK and over the years Karin and Carl transformed their humble abode and in the process created a lasting legacy for interior design in Scandinavia and beyond. Their charming, evocative and distinctive style in furnishings is still highly influential and inspiring homemakers today.

“If light is in your heart you will always find your way home.” Rumi

Whilst Carl, with some help from carpenters, made the furniture, carved the doors and cupboards, Karin was responsible for the textiles and tapestries at ‘Little Hyttnäs’ as well as the rugs.

The idea to paint pictures of the home was first suggested to Carl by Karin during a rainy summer in 1894 when she feared her husband would fall into depression. Inspired, he continued to paint all aspects of their house and lives within and outside it.

“A picture is a poem without words.” Horace

Following Carl’s acceptance of an invitation from the publisher Bonnier to print some of his watercolours, twenty-four of the paintings were reproduced in the now famous ‘Ett Hem’ book. Initially sales were slow in Sweden until a German version became an instant bestseller in Germany, selling 40,000 copies in three months.

Carl and Karin Larsson were said to have been overwhelmed by its success however Carl always felt that the pictures of his family and home ‘became the most immediate and lasting part of my life’s work. For these pictures are of course, a very genuine expression of my personality, of my deepest feelings, of all my limitless love for my wife and children.’

‘Ett Hem’ has never been out of print and has had over 40 print runs. Today the family home is owned by their descendants and open to tourists during the summer.

We shape our buildings; thereafter they shape us.” Winston Churchill

NB. I look forward to reading your thoughts about the posts in this series and I will respond upon my return to the UK later in the month.

ETT HEM #2

Before marriage and settling down, Carl Larsson started his artistic career when a teacher spotted his talent early on and encouraged him to apply for the Royal Swedish Academy of Arts. Although he had difficulty settling in, within a few years he was able to earn enough money to support his parents through drawings and cartoons sold to various papers.

A move to Paris in 1877 was equally challenging although he finally found peace and inspiration in Grez-sur-Loing … and here he met Karin Bergöö, his future wife. At last, he moved away from oils and painted some of his prominent paintings with watercolours.

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Breakfast under the big birch 1896

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Nameday at the storage house 1898

“No one is able to enjoy such feast than the one who throws a party in his own mind.” Selma Lagerlöf

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Brita as Iduna

“If I have managed to brighten up even one gloomy childhood – then I’m satisfied.” Astrid Lindgren

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Self-portrait 1906

“I want someone to remember I existed. I want someone to know I was here.” Frederik Backman

NB. This is the second in a series of three posts based around the famous Swedish artist Carl Larsson and his successful book of watercolours called ‘Ett Hem’/’A Home’ centred on his family home. As I’m still on an Easter break in Sweden and disconnected from most technology, comments are turned off for this post but will be on for the next and final one in the series.