The British Library wants my book! It’s official! There again they want a copy of every newly published work; be it a book, manuscript or music score.

It was only recently I learned that this esteemed institution requires publishers, by law, to forward a copy of any new publications. Legal Deposit was established in 1662 and since 2013, it now includes digital as well as print publications. Publishers, which also means authors who self-publish, must send their book to the British Library.

The King’s Library

What exactly is Legal Deposit:

“The legal deposit libraries work together to ensure the long term preservation of UK publications, both in print and digital form. They are collected systematically. They ensure that publications are held securely and that they can be discovered and accessed by readers within the legal deposit libraries as well as being preserved for the use of future generations.”

With pride, I pop a copy of “The Storyteller Speaks” in the post to them. I imagine it joining the 170 million items there. These are stored on shelving stretching on 746 km over fourteen floors.

The present British Library at St. Pancreas was only completed towards the end of the last century and it’s a building of beauty and function.

Humanities Reading Room

It is home to eleven reading rooms including ones for Rare Books, Manuscripts and Maps! Amongst its collections are materials ranging from Magna Carta to Leonardo da Vinci’s Notebook, from today’s newspapers to websites. For those interested in music there are over seven million recordings from 19th-century wax cylinders recordings to CDs.

Furthermore, a separate building on a 44-acre site in Boston Spa in Yorkshire houses around 70% of the Library’s print collection which accounts for over 80 million items.

Legal deposit is not restricted to only the British Library in London. A further five national libraries can insist on copies being forwarded by the publishers to them. These are the National Libraries of Scotland, Wales and Trinity College Dublin, as well as Cambridge University Library and Bodleian Library, University of Oxford.

Have you heard of Legal Deposit before? Have you sent your book to the British Library? For readers not in the UK, I wonder if there is a similar requirement in your county? Can’t wait to find out more from you all!

The Sisyphean Quest


Hands up! We all have them. Magazines! Magazine collections stacked in the bookshelves, placed carefully in date order in folders, boxed and labelled before being safely placed in the attic. Magazines from childhood or current magazines around an interest or hobby. 

I’m hoping my son’s ‘Dr Who’ collection, numbering into the hundreds will one day be part of his retirement fund! My writing magazines are spilling out of the bookcases onto the surrounding floor. My science magazine collection was only recently discarded as mould had sadly attacked them. My husband’s childhood comic collection are hopefully not so ravaged and may well fund a cruise one day!  

None of these however come near the 85,000 + magazines owned by the 2012 Guinness World Record Breaker for the largest magazine collection in the world, James Hyman.

jhymanmagarchive1James Hyman started on a mission in 1990 to collect and preserve as many magazines as possible. He felt panic by the potential loss to humankind of the information and resources held in these magazines and therefore established what is today known as the ‘Hyman Archive’. He sees himself as a ‘guardian and preserver of popular culture in physical form’ and hopes to one day form a giant research library.

Currently all the magazines are housed in a huge warehouse near the Thames in Woolwich, London and 55% of his stock is not owned by the British Library and therefore not accessible to the general public. He hopes to change this. With Tory Turk, creative lead, he is busy cataloging and digitising the collection to unlock it for researchers and the general public. 

The theme for his collection is ‘Popular Culture In Print’ and  amongst the reading material he is also ‘preserving pictures, illustrations and photography’. It concentrates on print magazines from 1910 and onwards. The collection is currently growing at a rate of 20% per annum – largely through donations from the general public and there is a constant appeal for material from ‘publishers, collectors and enthusiasts’. It is already recognised as a huge cultural resource and actively used by companies and individuals alike. One example is the ‘David Bowie’ exhibition, which made great use of its resources and is now going on world tour with some of the information gleamed from the Hyman Archive.

shelvesOne can only start to comprehend the scale of the project when you see his large warehouse, shelves upon shelves of neatly stacked magazines. Corridors of information, the serious mingling with the fun – from ‘film, TV, Music, Music video, Art, Fashion, Architecture, Interior design, Trends, Youth, Lifestyle, Women’s, Men’s, Technology, Sports, Photography, Counter-culture, Graphics, Animation, and Comics’.  All set to saved for the future. ‘The New Google’ said one current user of the collection.

‘Madness that could be genius’ is how one relative described Hyman’s ambition. 

Madness however that is well on the way to becoming a reality and within twenty years it is envisaged that the collection will be ‘living, reading and accessible’. Not only is the data being digitised, James Hyman is also using ‘meta-tag, analytical tools to visualise date’ to aid all the ‘researchers, readers and students’ he believes will use the collection. 

Furthermore the collection extends beyond the printed word and picture and includes 30,000 CDs, 20,000 vinyl records plus thousands of DVDs. The numbers are staggering, the task seemingly insurmountable and almost impossible, as James Hyman has admitted, ‘a Sisyphean Quest’.  (If like me, the phrase is unknown to you, Sisyphus was a Greek King who’s punishment for his self-aggrandising craftiness and deceitfulness was to be forced to roll an immense boulder up a hill, only to watch it roll back down, repeating it for eternity.)

Have you ever felt the same concern about the information that may be lost to the future? Do you have your own special magazine collection? Do you think this collection and information would be of any use or interest to you in your work or blogging life? As always, I look forward to reading and sharing all your comments. 

U P D A T E            

Following the appearance of this post James Hyman was kind enough to visit it and to comment. In his comment he also answered many of the questions raised by others in the comments section. I am pleased to print part of his reply here for ease – I know it can be time-consuming to trawl through lots of messages.

I plan to keep the physical copy once everything is digitised as a physical artefact has its place and importance. Without going into too much technical details what is important post-digitisation is the tagging of the material to help anyone’s research (creative industries, academics, students etc) e.g. that pair of boots in that image – say, they are David Bowie’s, where was the picture taken? Who was the photographer? What is the context of this picture? (last gig as ‘Ziggy Stardust’ for example). Furthermore, careful tagging can enrich the data set and answer complex questions and provide connections that are not easy to realise. So, again, in popular culture, how does Stanley Kubrick relate to Bob Dylan in the 80s? Well, if everything is tagged, you could get a result such as a March 1987 Playboy Interview with Jack Nicholson who talks about Kubrick being his favourite director and how he would love to play alongside Bob Dylan in Kubrick’s next film.

Never forget, before the internet, magazines were the internet in many ways; they have been the zeitgeist, containing the best content from photographers, authors, illustrators, designers, and publishers. Not everything is readily available on Google. Remember, how you search and how those search results can be displayed & analysed is also of great importance and value.

Finally, if anyone wishes to donate their magazines to the archive, please get in touch via

By James Hyman