A GREEN CAGE

Bad Prison Cell Alcatraz

I pace the floor. Not for the first time. One, two, three, four and a half. The metal green door is cold to my touch. My head swivels round and captures the photo on the wall. Holding its gaze I walk methodically back. One, two, three, four and a half. The edges of the photo are frayed and its colours dulled; the past ten years have not only taken their toll on me. The photo was taken with my camera, one that used actual film. I hear those don’t exist anymore. Everything is digital they say.

Joe’s tiny face smiles back at me. He was only six months at the time and how he loved bouncing in that blue baby rocker. His red romper suit covered in white yogurt after he’d knocked my hand feeding. We’d laughed so.

Those days all my photos were of Joe. Joe smiling, sleeping, playing with his cuddly lion, eating, swimming, on holiday at Centreparcs. We were inseparable. Until his death. Three months later.

“Turner! Turner!”

The prison officer fills the door, her hair pulled tight into a functional bun, the khaki-coloured uniform bulging at her waist and arms. Hard to believe that had been me; squeezing into clothes. Now a size 10 hangs like a sack on my tall frame.

“Turner!”

Standing still, I gaze ahead. Carol, that’s my name. They took that from me in here; my self. Sometimes I repeat it to myself, just to make sure I don’t forget. “Carol. Carol.”  Daughter, wife, mother. Then child-murderer. Or so they claimed.

“The warden wants to see you. Now!”

I nod curtly and glance at the space above my table. The light green cement wall is covered with study notes, magazine photos and a calendar. A big red circle pulsates around tomorrow, marking my appeal hearing. My final hope.

The daily clamour of prison life continues around me unabated. After the silence all those years ago the constant barrage of noise is a balm for me. The silence of Joe and the day he stopped breathing.

The relentless rain had whipped around the car on the journey home from the nursery that day. Joe had cried non-stop. This in itself was unusual as was the pitch of his scream; twenty minutes of fractured tortured crying. Not that of hunger or exhaustion. Slowly it dwindled to a whimper and I hate myself even now for being relieved at the peace.

I stopped by the front door and rushed Joe, who was in his car seat, inside along with the shopping, before driving to park around the corner. On entering the house his stillness struck me immediately. Then I spotted his lips, tinged light blue. Panicked, I released the seat belt, opened his jacket and held him. I tried to get him to breathe. Those minutes turned into a lifetime. I must have called an ambulance. They took him away, lights flashing and sirens blasting. I sat in the corner of the ambulance, helpless. Watching the paramedics fighting to save my son’s life. In vain.

The hail had hammered upon my face as the police arrested me soon after Joe’s death. I wasn’t even allowed to see him again. Nor was I permitted to attend his funeral.

At least Liam had been able to go. Liam, Joe’s father, my husband, who knew me better than anyone. We’d been close friends since our teens and he always trusted me, when many doubted. Many times since we’d sat across the visitor table, surreptitiously clasping each other’s hands for comfort.

“It will sort, love,” he’d promised. With his dark hair straggling across his face he insisted, “It’s all a big mistake”. He’d been right, only we never guessed it would take ten years to prove it.

Salt, such a small innocuous condiment. The police and doctors said I had been feeding Joe teaspoons of this over time to kill him. My beloved Joe. My incredulity at the accusation turned to total disbelief, then resignation as expert after expert testified to the high sodium levels in Joe. The only possible reason given for its presence was poisoning.

I could never have harmed him but nobody listened. He’d been tired, lethargic even. Joe’s low weight had always concerned me. I’d asked for help but was told not to worry.

My raw anger and desperation at the trial hadn’t helped. I realise that now. Neither had my appearance with unruly frizzy hair which had long since been tamed into a short smart bob. Exercise, an anathema to me previously, became my new religion and I trained at the prison gym like a fanatic. Its bright green walls especially gaudy under the fluorescent lighting.

Once my body was in shape, I turned to my mind. Unused since school where I gained a couple of qualifications, I studied like one possessed and only last year achieved a degree in law. I’d almost laughed as I held the certificate. A degree! Me?! A care home child, no known parents and already convictions for petty theft. I’d had no chance at the trial. No chance afterward either. Until five years ago and the death of a baby girl. Then two more babies. All from salt poisoning.

“Expect the best, prepare for the worst.”

The warden’s words reverberated in my head.

The worst had already happened. Couldn’t he see that? I knew what he meant though, losing the appeal, being trapped a lifetime within the green cage.

For the best I reread Liam’s letter, which I’d received the day before. He’d prepared the house for my possible home-coming and redecorated Joe’s nursery as a study for me. I swear I could smell the fragrances from the flowers in the garden through his description and closing my eyes I glimpsed the bright sunflowers against the back wall.

“I found him in Joe’s nursery at the weekend,” Liam’s mum said to me on a visit early on. “Asleep on the fur rug, clutching Joe’s clothes, teddies strewn around him. The charity bag lay empty in the corner of the room.”

I’d covered my eyes.

“Carol, dear. Liam can’t sort it all out. Shall I help?”

Her offer was the first of many that Liam and I came to rely upon. Now she too was gone and we only had each other.

The warden gave me a box and with trepidation I began to pack. Law books, spiritual books even, such as my well-thumbed copy of “Stillness Speaks”.  I would never have believed it. Then reams upon reams of notes and finally the file of newspaper cuttings.

On top was the story of the two now discredited expert witnesses who had testified against me. Their omission to mention a possible medical cause for the sodium poisoning had sentenced not only me but also three other women to jail for child murder.

Finally I placed the photo album Liam had made for me into the box. Its blue spine long since broken and the silver heart frame on the front no longer shone. I opened it carefully.

There we were on our wedding at the local registry office, then at the pub meal afterward. So simple but perfect.

There I was pregnant, looking blooming and blooming huge as well. For that big bump Joe was born tiny, a light bundle with black hair streaked across his head.

Then the last photo ever taken of Joe.

Liam gently bouncing him on his knee, Joe’s face half-hidden behind the hood of the yellow giraffe dressing gown, his hands tucked inside the long sleeves, Joe’s sweet giggles audible from the photo.

In shock I dropped the album and started shaking.

Not for the first time, I cried; sobbed until my body heaved with grief. Angry clanging on the doors followed as my cacophony of tears refused to be silenced. Before long darkness enveloped the cell and by the light of a torch the green forest of night closed around me.

“You’re free to go,” my lawyer said the next day in court. “You’re free.”

The appeal had passed in a blur, too shaken, too frightened of the outcome to absorb much detail.

“Free?” I questioned and looked around for permission to leave.

“Carol!” Liam was suddenly in front of me and unrestricted we moved towards each other. Then stopped. An invisible barrier. Liam took the final strides towards me and he reached out and pulled me in. Saving me. I rocked back and forth in his arms before we headed out into the blinding sunshine. To face the press together.

Two hours later I was home. The butterflies fluttered erratically around the flowering buddleia; more calmly the bees buzzed over the red roses. Our garden was a firework display of colours. Golds, reds, pinks, purples. I gingerly stepped over the petunias which had spread over the path, wanting to preserve their beauty.

Inside, the house gleamed and his mother’s redecoration years earlier was evident in the modern minimalist style. So tidy. No toys on the floor, stairs, furniture.

Liam took my arm and gently guided me towards Joe’s nursery. Apprehensively I opened the door.

It was stunning. The sun beamed upon the large pine desk in front the window and light dazzled me, reflecting from the crystal framed mirror. A bookcase stood empty. In the corner was a white armchair and Joe’s cuddly lion rested on the soft seat. The whole room teemed with sweet peas, the multicolours a feast for the eyes as I spotted them on the desk, windowsill and coffee table. Their scent a crashing reminder of that first and only spring with Joe.

“”I love it, Liam. It’s just perfect. Thank you,” I whispered quietly in awe.

“The colour?” he questioned cautiously. “Do you like it?”

I hadn’t spotted the light green walls at first, now I moaned to myself.

“They say green is calming and restful. Creates harmony,” Liam reassured me. “I thought it would help you settle back home.”

“That’s kind of you. Very thoughtful,” I replied. However, deep inside my emotions swirled. Liam meant so well.

I still didn’t think it was the right colour.

The End

©Annika Perry

Captivating Beth Chatto Gardens

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Imagine a boggy gravel pit. Where most of us would only see the grey dusty desolation of the former scene of frenzied excavation at the quarry, a visionary in the form of Beth Chatto saw past the starkness, the stones and rubble and over the past 55 years she and her team has worked tirelessly to create the serene, lush and heavenly gardens now named after her.

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The gardens are loosely split into various areas including the Gravel Garden, the Water Garden which leads through to the Woodland Garden and the recent addition of the Scree Garden.

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From the very beginning, Beth Chatto decided to work with the environment and this was particularly pertinent since the gardens are located in the county with the lowest rainfall in the UK (famously less than in the Sahara desert!)

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She longed to learn how to garden in these conditions and in the process help other gardeners of the future. The Gravel Garden was an inauspicious stone parking space for many years and I recall a visit here many years ago when a few cars were dotted around this rather glum piece of land and the ‘cafe’ was located in one corner. A tent ‘cafe’ barely held in place as the wind relentlessly tried to lift it to the sky! Nowadays a modern designed restaurant sits at the edge of the gravel garden with tables outdoors open to its views and wildlife – robins and blue tits were frequent visitors to our table.

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Over the years the arid land has been transformed into its current beautiful Gravel Garden. Vibrant colours abound through the inventive and inspiring planting where also the textures of the plants and flowers are taken into consideration. As the sun comes out there is a real Mediterranean feel to this sun trap and I’m transported to the South of France! 

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A novice to gardening, Beth Chatto is self-taught although both her parents were enthusiastic gardeners and her husband, Andrew, had a life-long interest in the natural environment of plants. During her decades of work at Beth Chatto, she became close friends with some of the eminent gardeners at the time and in due course became an award-winning gardener. For ten consecutive years, she has won gold at the RHS Chelsea Flower show; she was awarded an OBE by the Queen in 2002, received the RHS Victoria Medal of Honour as well as accepting an Honorary Doctorate Degree from the University of Essex. Furthermore, she’s lectured worldwide and written numerous books on gardening. Even to this day at 96 she often comes out to the gardens!

The gardens have constantly evolved as her expertise has grown and in my opinion, the Water Garden is the jewel of all the areas.

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Four ponds straddle the garden, linked by a gurgling stream which was dammed up specifically to fill the ponds. There is a powerful lush tropical feel throughout and there is a dominant celebration of the colour green – from the immaculate emerald green of the grass to the hundreds of shade of green of the rich foliage of the trees, plants and flowers. Colour is used sparingly and when in evidence has a transforming impact on the garden and on the flower, they stand out like never before. 

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The sense of harmony and tranquility is almost overwhelming, the effect immediate and real. As I enter a seeming state of transcendental bliss I let my senses absorb the delights as I nurdle* (wander aimlessly) around the Water Garden. 

Nothing has been left to chance. Soft fragrances float on the gentle breeze, never overpowering, rather a warm hint of promise. 

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The stream provides a constant rhythmic backdrop to the walk, changing in pitch as I meander around, then in the hushed reverential near silence I notice the birdsong; what a jubilant chorus as they seem to compete for attention, their delight in life infectious. Only later looking over the videos I took on the day do I hear the distant roar of planes high overhead, at the time they were effectively tuned out!

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It was not only my eyes which took in the varying textural forms, from the razor sharp, sword-like leaves, to the whimsical frilly grasses, to the variegated leaves of the ferns. My hands swish between some leaves here, some grasses there. My fingertips enchanted my the soft tender sensations, some tickling, some spiky.

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Giant parasol leaves loom over me at one stage and proof again that Beth Chatto has achieved something remarkable here – these moisture-loving plants never associated with East Anglia are thriving. I bend to inhale the scent of the roses, I stretch up to spy the colours closer, I stand stock-still following the dragonflies darting over the lake and its irises, so fast in their dance, impossible to capture on camera. 

20170529_120412Benches are logistically, romantically, placed around the gardens, often in the soothing shade to sit and contemplate nature and her amazing art. The play of shade and light is spectacular, the dark grasses a sharp contrast to the soft mellow sunlight stems taking on their own structural sculptural artistic form. Gazing, absorbing and reflecting I sit in silence…before I feel the eyes of others eager to enjoy the peace, to rest up and reluctantly I move on.

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Peeling myself away from the sumptuous Water Gardens I wander through the Reservoir Garden, its large borders a miracle of colour and flowers and it’s hard to imagine this is the site of a former wasteland filled with scrubby bushes. 

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The woodland came to its own after the infamous hurricane of 1987 when trees across the UK, and especially in the South, were decimated with about 15 million trees felled by 115 mph winds. At Beth Chatto many new trees were self-seeded and those remaining include many oak trees over one hundred years old. The dappled light shines playfully between the tall canopies and below flowers adorn the ground, the damp earthy forest fragrance is reminiscent of many childhood bluebell wood walks. 

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Many thanks for accompanying me on this epic walk through Beth Chatto Gardens’ seven acres…however, it’s not quite over! A visit is never complete without looking at its renowned nursery with over 2,000 different species of herbaceous plants and bulbs and we came away with armfuls of plants including Cosmos and Veronicas.

*Please see the previous post.

NB. All photos ©Annika Perry, 2017

Neptunes-uouue

TWILIGHT

A world without words is a terrifying thought. They are the very essence of our being and no part of our existence is untouched by words.

Yet we are complacent with this precious gift and like the thousands of animals that silently, almost unnoticed, fall into extinction, so to do our words.

A recent research project by Dr Selin Kesebir at London Business School has discovered that an incalculable number of our words in the English Language are quickly disappearing and many of these are associated with our natural environment. These words were robustly used and alive until the 1950s but have since dwindled in usage until their presence in society is a mere backdrop, often known only to academic staff.

Poetry is found within the words themselves, their sounds a sensory delight, almost tactile and a joy to pronounce (or attempt!). The highly evocative ‘Landskein’ describes the weave of horizon lines on a hazy day – where one word takes the place of the clumsy formation of nine!

Equally rich and expressive is ‘roarie-bummlers’, a Scottish playful-sounding word describing the swift-moving storm clouds.

Whilst school children become more attuned to the digital world and where nearly 80% can name Pokemon characters as opposed to only 50% who can name pictures of wildlife, the hope is that this same expansive digital network can come to the rescue of the vanishing words.

Through the use of social media there is an aspiration that words such as ‘shivelight’, which means lances of light cast through woodland canopy, will enter our everyday language. In one experiment a tweet sent by Dr MacFarlane at the University of Cambridge about the Anglo-Saxon heritage of the word ‘Holloway’ for a sunken lane worn into the landscape by generations of travellers received 20,000 retweets and likes.

Other words highlighted in the research include the following:

‘Owl-light’    Twilight

‘Petrichor’    Smell of dry earth and rock that comes before and during rainfall 

‘Glashtroch’    Incessant rain

‘Gludder’    Fleeting sunshine between showers

‘Neptunes-uouue’    Sea mist

‘Smeuse’      Sussex dialect for a hole in the hedge left by the repeated passage of a small animal

‘Stravaig’     Scots and Irish word for wander aimlessly

Nurdle’     East Anglian dialect for wander aimlessly

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One area where there is an exception to the decline of words is weather-related vocabulary, which is as popular as ever and no doubt shows the predisposition in the UK to talk endlessly about the weather…of yesterday, today, tomorrow!

However, the decline of words surrounding nature are of concern ‘not only because they imply foregone physical and psychological benefits from engagement with nature, but also because cultural products are agents of socialisation that can evoke curiosity, respect, and concern for the natural world.’*

The onus on us is to save our rich heritage which is part of us all!

* Selin Kesebir

Photos courtesy of Pixaby

Sources include The Times & BBC Todaysea mist